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Victorian Gothic Collection (page 7)

Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine

Background imageVictorian Gothic Collection: New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)

New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)
NCO232968 New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper) by Scott, George Gilbert (1811-1878); Courtesy of the Warden and Scholars of New College, Oxford

Background imageVictorian Gothic Collection: The Battle of Beth Horon, 1862-3 (stained glass)

The Battle of Beth Horon, 1862-3 (stained glass)
3474767 The Battle of Beth Horon, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

Background imageVictorian Gothic Collection: Benedictine Palace. (Illustration, circa 1930)

Benedictine Palace. (Illustration, circa 1930)
5975927 Benedictine Palace. (Illustration, circa 1930) by French School, (20th century); Private Collection; (add.info.: Power supply)

Background imageVictorian Gothic Collection: Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833749 Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

Background imageVictorian Gothic Collection: Wooden church, St. Marys, Georgia, 1936. Creator: Walker Evans

Wooden church, St. Marys, Georgia, 1936. Creator: Walker Evans
Wooden church, St. Marys, Georgia

Background imageVictorian Gothic Collection: Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume

Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H. C
STC156401 Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H.C

Background imageVictorian Gothic Collection: Winter in Union Square, 1889-90 (oil on canvas)

Winter in Union Square, 1889-90 (oil on canvas)
3493104 Winter in Union Square, 1889-90 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 46.4x45.7 cm; Metropolitan Museum of Art, New York

Background imageVictorian Gothic Collection: St John The Baptist, detail from the east window, 1861 (stained glass)

St John The Baptist, detail from the east window, 1861 (stained glass)
3474631 St John The Baptist, detail from the east window, 1861 (stained glass) by Barraud, Francis Philip (1824-1901); St John The Baptist, Bromsgrove

Background imageVictorian Gothic Collection: Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham

Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey)
1765212 Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey, red and black washes on paper) by Pugin

Background imageVictorian Gothic Collection: Mitchel Tower, 250 feet high (b / w photo)

Mitchel Tower, 250 feet high (b / w photo)
7191245 Mitchel Tower, 250 feet high (b/w photo) by Porter, James (1874-1937); Private Collection; (add.info.: Mitchel Tower, 250 feet high)

Background imageVictorian Gothic Collection: Gothic style State Bed, 1823

Gothic style State Bed, 1823
6339944 Gothic style State Bed, 1823 by British School, (18th-19th century); (add.info.: Gothic style State Bed, 1823. Gothic revival four-poster bed with a canopy from a throne)

Background imageVictorian Gothic Collection: Curtains for a Gothic room

Curtains for a Gothic room
6338592 Curtains for a Gothic room by British School, (19th century); (add.info.: Curtains for a Gothic room. Ornate pelmet of gold-frnged fabric)

Background imageVictorian Gothic Collection: Design for a Gothic Bed Room, 1813

Design for a Gothic Bed Room, 1813
6339938 Design for a Gothic Bed Room, 1813 by British School, (18th-19th century); (add.info.: Design for a Gothic Bed Room, 1813. Bed with groined arches, tent-like canopy over bedstead with steps)

Background imageVictorian Gothic Collection: Gothic staircase and vestibule

Gothic staircase and vestibule
6339902 Gothic staircase and vestibule by British School, (18th-19th century); (add.info.: Gothic staircase and vestibule)

Background imageVictorian Gothic Collection: Gothic conservatory, Regency era

Gothic conservatory, Regency era
6339907 Gothic conservatory, Regency era by British School, (18th-19th century); (add.info.: Gothic conservatory, Regency era)

Background imageVictorian Gothic Collection: Gothic sofa, table, chair and footstool for a library, 1810

Gothic sofa, table, chair and footstool for a library, 1810
6339904 Gothic sofa, table, chair and footstool for a library, 1810 by British School, (18th-19th century); (add.info.: Gothic sofa, table, chair and footstool for a library, 1810)

Background imageVictorian Gothic Collection: Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)
5912988 Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving) by British School, (19th century); (add.info.: Belvoir Castle, Leicestershire, seat of John Manners)

Background imageVictorian Gothic Collection: Exterior view (photo)

Exterior view (photo)
JOE120911 Exterior view (photo) by Scott, George Gilbert (1811-1878); The Midland Grand Hotel, St. Pancras, London, UK; © Joe Fairs Photography

Background imageVictorian Gothic Collection: Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)

Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd
3474918 Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd, 1902 by Morris & Company; Ward End, Birmingham

Background imageVictorian Gothic Collection: Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones

Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)
3474906 Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903)

Background imageVictorian Gothic Collection: Reform Club, Manchester (engraving)

Reform Club, Manchester (engraving)
7179904 Reform Club, Manchester (engraving) by English School, (19th century); Private Collection; (add.info.: Reform Club, Manchester)

Background imageVictorian Gothic Collection: St Pauls Within the Walls, Rome (engraving)

St Pauls Within the Walls, Rome (engraving)
7185817 St Pauls Within the Walls, Rome (engraving) by Holland Tringham, Joseph (1861-1908); Private Collection; (add.info.: St Pauls Within the Walls, American Episcopal Church in Rome)

Background imageVictorian Gothic Collection: The Last Judgement, detail, St Michael, 1863 (stained glass)

The Last Judgement, detail, St Michael, 1863 (stained glass)
3474786 The Last Judgement, detail, St Michael, 1863 (stained glass) by Bayne, Robert Turnill (1837-1915) & Hassam, Alfred (1843-1868); St Mary, Brome, UK; (add.info.: Heaton)

Background imageVictorian Gothic Collection: Shrewsbury School Chapel (b / w photo)

Shrewsbury School Chapel (b / w photo)
7180516 Shrewsbury School Chapel (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Shrewsbury School Chapel)

Background imageVictorian Gothic Collection: Reliquary, Paris, c. 1851. Creators: Eugene Emmanuel Viollet-le-Duc, Louis Bachelet

Reliquary, Paris, c. 1851. Creators: Eugene Emmanuel Viollet-le-Duc, Louis Bachelet
Reliquary, Paris, c. 1851

Background imageVictorian Gothic Collection: Model Chalice, England, c. 1849. Creator: AWN Pugin

Model Chalice, England, c. 1849. Creator: AWN Pugin
Model Chalice, England, c. 1849

Background imageVictorian Gothic Collection: Sideboard and Wine Cabinet, London, 1859. Creators: William Burges

Sideboard and Wine Cabinet, London, 1859. Creators: William Burges
Sideboard and Wine Cabinet, London, 1859

Background imageVictorian Gothic Collection: Drawing Room Cabinet, Lancaster, 1871 / 72. Creator: Bruce J. Talbert

Drawing Room Cabinet, Lancaster, 1871 / 72. Creator: Bruce J. Talbert
Drawing Room Cabinet, Lancaster, 1871/72

Background imageVictorian Gothic Collection: Pair of Altar Candlesticks, Paris, 1862. Creators: Eugene Emmanuel Viollet-le-Duc

Pair of Altar Candlesticks, Paris, 1862. Creators: Eugene Emmanuel Viollet-le-Duc
Pair of Altar Candlesticks, Paris, 1862

Background imageVictorian Gothic Collection: Pickle jar, 1850 / 70. Creator: Crowleytown Glass Works

Pickle jar, 1850 / 70. Creator: Crowleytown Glass Works
Pickle jar, 1850/70. Decoration inspired by the Gothic cathedrals of Northern Europe. Possibly made by Bulltown Glass Works or Crowleytown Glass Works

Background imageVictorian Gothic Collection: Candelabra (One of a Pair), England, c. 1860. Creator: William White

Candelabra (One of a Pair), England, c. 1860. Creator: William White
Candelabra (One of a Pair), England, c. 1860

Background imageVictorian Gothic Collection: New Masonic Temple, Boston, 1860s. Creator: Joseph Ward

New Masonic Temple, Boston, 1860s. Creator: Joseph Ward
New Masonic Temple, Boston, 1860s. [Freemasons temple at the corner of Tremont and Boylston Streets, Boston, Massachusetts, USA]. Albumen print (carte-de-visite)

Background imageVictorian Gothic Collection: Library, Yale University, 19th century. Creator: Peck Brothers

Library, Yale University, 19th century. Creator: Peck Brothers
Library, Yale University, 19th century. [Yale University Library, New Haven, Connecticut, USA. The Victorian Gothic building was designed by Henry Austin and was constructed between 1842 and 1846]

Background imageVictorian Gothic Collection: Side Chair, London, c. 1848. Creator: AWN Pugin

Side Chair, London, c. 1848. Creator: AWN Pugin
Side Chair, London, c. 1848

Background imageVictorian Gothic Collection: Hall Stand, Coalbrookdale, c. 1870. Creator: Christopher Dresser

Hall Stand, Coalbrookdale, c. 1870. Creator: Christopher Dresser
Hall Stand, Coalbrookdale, c. 1870

Background imageVictorian Gothic Collection: Chalice, London, 1827 / 28. Creator: AWN Pugin

Chalice, London, 1827 / 28. Creator: AWN Pugin
Chalice, London, 1827/28

Background imageVictorian Gothic Collection: Grotesque Vase, Swadlincote, c. 1893. Creator: Christopher Dresser

Grotesque Vase, Swadlincote, c. 1893. Creator: Christopher Dresser
Grotesque Vase, Swadlincote, c. 1893

Background imageVictorian Gothic Collection: Houses of Parliament, 1850-1900. Creator: Unknown

Houses of Parliament, 1850-1900. Creator: Unknown
Houses of Parliament, 1850-1900. [Steamships on the River Thames at Westminster]. Albumen print, from the album " Views of London"

Background imageVictorian Gothic Collection: 16th century; 16 century; XVI century; XVIth century; sixteenth century; c16th

16th century; 16 century; XVI century; XVIth century; sixteenth century; c16th
7135123 by Unknown Artist, (19th century); Bayeux, Normandy, France; ePascal Lemaitre; out of copyright

Background imageVictorian Gothic Collection: 19th century; 19 century; XIX century; XIXth century; Nineteenth Century; c19th

19th century; 19 century; XIX century; XIXth century; Nineteenth Century; c19th
7135122 by Unknown Artist, (19th century); Bayeux, Normandy, France; ePascal Lemaitre; out of copyright

Background imageVictorian Gothic Collection: Castle Murray, Near Auburn, Virginia, November 1863. Creator: Alexander Gardner

Castle Murray, Near Auburn, Virginia, November 1863. Creator: Alexander Gardner
Castle Murray, Near Auburn, Virginia, November 1863. Union army occupying the home of Dr. James H. Murray and his brother Edward Murray during the American Civil War. Albumen print, pl

Background imageVictorian Gothic Collection: View of Grays Inn Hall, London, 1885 (b / w photo)

View of Grays Inn Hall, London, 1885 (b / w photo)
1812988 View of Grays Inn Hall, London, 1885 (b/w photo) by English Photographer, (19th century); London Metropolitan Archives

Background imageVictorian Gothic Collection: View of Staple Inn, London, 1885 (b / w photo)

View of Staple Inn, London, 1885 (b / w photo)
1812985 View of Staple Inn, London, 1885 (b/w photo) by English Photographer, (19th century); London Metropolitan Archives, City of London; (add.info.: View of Staple Inn with gardens)

Background imageVictorian Gothic Collection: Calligraphic manuscript, Augsburg, c. 1720-30 (pen & ink on paper)

Calligraphic manuscript, Augsburg, c. 1720-30 (pen & ink on paper)
2921860 Calligraphic manuscript, Augsburg, c.1720-30 (pen & ink on paper) by German School, (18th century); 23x30 cm; Private Collection; (add.info)




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Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine. The Opening of Keble College, Oxford, from The Illustrated London News captures the awe-inspiring architecture that defined this era. St. Peters Church and house on Village Green, Edensor, Chatsworth Estate transport us to a picturesque countryside adorned with intricate carvings and ornate details. Architectural drawing: west front inner gatehouse by AWN Pugin showcases his iconic style that epitomized the Victorian Gothic movement. His influence extends to Design for stained glass in Lyndhurst Church: An Angel Harpist, where ethereal beauty is captured within colorful panes. The Decoration of the Drawing Room at Eastnor Castle transports us to a lavish interior filled with opulent furnishings and elaborate patterns. Meanwhile, St Finbars Cathedral stands tall as a testament to the grand scale on which these structures were built. In Dulwich College's Great Hall, we witness an imposing space adorned with towering arches and intricate woodwork - a true masterpiece of craftsmanship. The British Navy artwork takes us on a journey through time, showcasing naval prowess during this period. Nelson's Tower in Forres invites us to explore its hauntingly beautiful structure rising against the sky - an emblematic symbol architecture. Lady Clare captivates our imagination with her delicate pen strokes bringing forth an air of elegance and grace. St Jacob's stained glass window transports us back in time as we marvel at its vibrant colors illuminating sacred spaces. Knebworth House beckons visitors with its majestic presence nestled amidst Hertfordshire's rolling hills – a true gem from this era. Immerse yourself in the allure of Victorian Gothic; let it transport you to another world where artistry meets darkness.