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Victorian Gothic Collection (#10)

Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine

Background imageVictorian Gothic Collection: Ms. New Coll 380, f18r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f18r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833726 Ms. New Coll 380, f18r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f8r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f8r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833760 Ms. New Coll 380, f8r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f17r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f17r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833725 Ms. New Coll 380, f17r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f16r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f16r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833724 Ms. New Coll 380, f16r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f15r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f15r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833723 Ms. New Coll 380, f15r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f11r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f11r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833719 Ms. New Coll 380, f11r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Charles I, c. 1873 (stained glass)

Charles I, c. 1873 (stained glass)
LLW402810 Charles I, c.1873 (stained glass) by English School, (19th century); Parliament Buildings, Bridgetown, Barbados; (add.info.: Charles I (1600-49) King of England

Background imageVictorian Gothic Collection: Charles II, c. 1873 (stained glass)

Charles II, c. 1873 (stained glass)
LLW402806 Charles II, c.1873 (stained glass) by English School, (19th century); Parliament Buildings, Bridgetown, Barbados; (add.info.: Charles II (1630-85) King of England; ); Photo

Background imageVictorian Gothic Collection: Archway leading into the dining room of the Hotel Woodward, Broadway and 55th Street

Archway leading into the dining room of the Hotel Woodward, Broadway and 55th Street
MNY380802 Archway leading into the dining room of the Hotel Woodward, Broadway and 55th Street, New York, 1920 (silver gelatin print) by Byron Company (fl.1890-1942)

Background imageVictorian Gothic Collection: South side of the Gateway at Arnos Vale, showing figures

South side of the Gateway at Arnos Vale, showing figures
2832557 South side of the Gateway at Arnos Vale, showing figures, 1826 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageVictorian Gothic Collection: New front to Colstons School (copy of original design) (pencil & w / c on paper)

New front to Colstons School (copy of original design) (pencil & w / c on paper)
2831636 New front to Colstons School (copy of original design) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageVictorian Gothic Collection: Beaufront Castle, Hexham (colour photo)

Beaufront Castle, Hexham (colour photo)
3094862 Beaufront Castle, Hexham (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Beaufront Castle, Hexham. Postcard, early 20th century.); © Look and Learn

Background imageVictorian Gothic Collection: The Regiments Colours, Guards Chapel (b / w photo)

The Regiments Colours, Guards Chapel (b / w photo)
3094478 The Regiments Colours, Guards Chapel (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Regiments Colours, Guards Chapel)

Background imageVictorian Gothic Collection: St Deiniols Library, Hawarden, Flintshire (b / w photo)

St Deiniols Library, Hawarden, Flintshire (b / w photo)
3093886 St Deiniols Library, Hawarden, Flintshire (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: St Deiniols Library, Hawarden, Flintshire)

Background imageVictorian Gothic Collection: Dulwich College, London (b / w photo)

Dulwich College, London (b / w photo)
3094827 Dulwich College, London (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Dulwich College, London. Postcard, early 20th century.); © Look and Learn

Background imageVictorian Gothic Collection: The New College, Hampstead (colour photo)

The New College, Hampstead (colour photo)
3095048 The New College, Hampstead (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The New College, Hampstead)

Background imageVictorian Gothic Collection: Strawberry Hill from the Thames (engraving)

Strawberry Hill from the Thames (engraving)
3099375 Strawberry Hill from the Thames (engraving) by English School, (19th century); Private Collection; (add.info.: Strawberry Hill from the Thames)

Background imageVictorian Gothic Collection: Shakespeare Memorial Fountain, Stratford-upon-Avon (colour photo)

Shakespeare Memorial Fountain, Stratford-upon-Avon (colour photo)
3091246 Shakespeare Memorial Fountain, Stratford-upon-Avon (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Shakespeare Memorial Fountain, Stratford-upon-Avon)

Background imageVictorian Gothic Collection: Chateau de Pierrefonds, illustration from Le Moniteur des architectes

Chateau de Pierrefonds, illustration from Le Moniteur des architectes
REV287783 Chateau de Pierrefonds, illustration from Le Moniteur des architectes, engraved by Bosredon (colour engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageVictorian Gothic Collection: The Melee (pencil, w / c and bodycolour on paper)

The Melee (pencil, w / c and bodycolour on paper)
AJV341207 The Melee (pencil, w/c and bodycolour on paper) by Nixon, James Henry (1802-57); 34.5x51.5 cm; Private Collection; (add.info)

Background imageVictorian Gothic Collection: View of the Southern Schools and Dormitories of Rugby School from the Playground

View of the Southern Schools and Dormitories of Rugby School from the Playground
STC121740 View of the Southern Schools and Dormitories of Rugby School from the Playground, from History of Rugby School, part of History of the Colleges

Background imageVictorian Gothic Collection: Design for the Decoration of the Summer Smoking Room at Cardiff Castle

Design for the Decoration of the Summer Smoking Room at Cardiff Castle
CJP107787 Design for the Decoration of the Summer Smoking Room at Cardiff Castle, 1870 (w/c on paper) by Burges, William (1827-81); Private Collection; eCharles Plante Fine Arts; English

Background imageVictorian Gothic Collection: Ceiling design for the Palace of Westminster (pen & ink and w / c on paper)

Ceiling design for the Palace of Westminster (pen & ink and w / c on paper)
BBC210097 Ceiling design for the Palace of Westminster (pen & ink and w/c on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageVictorian Gothic Collection: Floor design for the Houses of Parliament (gouache & pencil on paper)

Floor design for the Houses of Parliament (gouache & pencil on paper)
BBC207323 Floor design for the Houses of Parliament (gouache & pencil on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageVictorian Gothic Collection: Stained glass window design for the Houses of Parliament (w / c & pencil on paper)

Stained glass window design for the Houses of Parliament (w / c & pencil on paper)
BBC207321 Stained glass window design for the Houses of Parliament (w/c & pencil on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageVictorian Gothic Collection: Design for the decoration of the Houses of Parliament (pencil, gouache & w / c on paper)

Design for the decoration of the Houses of Parliament (pencil, gouache & w / c on paper)
BBC207320 Design for the decoration of the Houses of Parliament (pencil, gouache & w/c on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English

Background imageVictorian Gothic Collection: The Great Western Hall Leading to the Grand Saloon, or Octagon, Fonthill Abbey

The Great Western Hall Leading to the Grand Saloon, or Octagon, Fonthill Abbey
TPG182338 The Great Western Hall Leading to the Grand Saloon, or Octagon, Fonthill Abbey, 1824 (engraving) (b/w photo) by English School

Background imageVictorian Gothic Collection: Lancet windows, 1873 (stained glass)

Lancet windows, 1873 (stained glass)
MAE181392 Lancet windows, 1873 (stained glass) by Bethune, Jean-Baptiste (1821-94); Begijnhofkerk Sint Amandsberg, Ghent, Belgium; ePaul Maeyaert; Belgian, out of copyright

Background imageVictorian Gothic Collection: Details of Entrances, Stairs, Furnace Chamber Doorway and Handrails, (New Big School)

Details of Entrances, Stairs, Furnace Chamber Doorway and Handrails, (New Big School)
FFA178165 Details of Entrances, Stairs, Furnace Chamber Doorway and Handrails, (New Big School), Rugby School, 1844 (black ink, pencil & w/c) by Butterfield

Background imageVictorian Gothic Collection: West and North Elevations, New School, Rugby School, 1867 (black ink

West and North Elevations, New School, Rugby School, 1867 (black ink
FFA178160 West and North Elevations, New School, Rugby School, 1867 (black ink, pencil and w/c) (b/w photo) by Butterfield, William (1814-1900); 50.8x67.5 cm; Private Collection; English

Background imageVictorian Gothic Collection: New College Oxford: Proposed New Buildings, 1870-79 (ink on paper)

New College Oxford: Proposed New Buildings, 1870-79 (ink on paper)
NCO232969 New College Oxford: Proposed New Buildings, 1870-79 (ink on paper) by Scott, George Gilbert (1811-1878); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imageVictorian Gothic Collection: Pair of Chairs, made by Morel and Seddon, 1828 (gilt wood)

Pair of Chairs, made by Morel and Seddon, 1828 (gilt wood)
LMG172511 Pair of Chairs, made by Morel and Seddon, 1828 (gilt wood) by Pugin, Augustus Welby Northmore (1812-52); Leeds Museums and Galleries (Lotherton Hall)

Background imageVictorian Gothic Collection: Ecclesiastical design, The Glossary of Ecclesiastical Ornament and Costume

Ecclesiastical design, The Glossary of Ecclesiastical Ornament and Costume
STC156400 Ecclesiastical design, The Glossary of Ecclesiastical Ornament and Costume, lithograph by H.C. Maguire, 1844 (colour litho) by Pugin

Background imageVictorian Gothic Collection: The Octagon, from the south-east, from Graphic and Literary Illustrations of

The Octagon, from the south-east, from Graphic and Literary Illustrations of
STC156077 The Octagon, from the south-east, from Graphic and Literary Illustrations of Fonthill Abbey by John Britton, 1823 (engraving) (b/w photo) by English School

Background imageVictorian Gothic Collection: South-west view of Fonthill Abbey, engraved by T. Higham, 1823 (engraving)

South-west view of Fonthill Abbey, engraved by T. Higham, 1823 (engraving)
STC156071 South-west view of Fonthill Abbey, engraved by T. Higham, 1823 (engraving) by Rutter, J. (19th century) (after); Private Collection; (add.info)

Background imageVictorian Gothic Collection: South End of St. Michaels Gallery, from Graphic

South End of St. Michaels Gallery, from Graphic
STC156065 South End of St. Michaels Gallery, from Graphic and Literary Illustrations of Fonthill Abbey by John Britton, engraved by M

Background imageVictorian Gothic Collection: The Library, engraved by Godfrey, from Description of Strawberry Hill

The Library, engraved by Godfrey, from Description of Strawberry Hill
STC156062 The Library, engraved by Godfrey, from Description of Strawberry Hill by Horace Walpole, 1784 (engraving) by English School

Background imageVictorian Gothic Collection: Great North Bed Chamber of Strawberry Hill (litho) (b / w photo)

Great North Bed Chamber of Strawberry Hill (litho) (b / w photo)
STC156059 Great North Bed Chamber of Strawberry Hill (litho) (b/w photo) by English School, (19th century); Private Collection; (add.info)

Background imageVictorian Gothic Collection: Bishop and St. Louis, 1848

Bishop and St. Louis, 1848
ASD54925 Bishop and St. Louis, 1848 by Pugin, Augustus Welby (1812-52); Church of St. Paul, Brighton, East Sussex, UK; English, out of copyright

Background imageVictorian Gothic Collection: View of the Holbein Chamber (photo)

View of the Holbein Chamber (photo)
BAL2867 View of the Holbein Chamber (photo) by English School, (18th century); Strawberry Hill, Middlesex, UK; (add.info.: home of Horace Walpole (1717-97); ); English, out of copyright

Background imageVictorian Gothic Collection: Interior of St. Michaels Gallery, Fonthill Abbey, from

Interior of St. Michaels Gallery, Fonthill Abbey, from
BCC18026 Interior of St. Michaels Gallery, Fonthill Abbey, from Delineations of Fonthill by John Rutter, 1823 (aquatint) by Finley, W

Background imageVictorian Gothic Collection: Detail of a Gothic Revival jewellery casket, c. 1880 (ormolu

Detail of a Gothic Revival jewellery casket, c. 1880 (ormolu
476608 Detail of a Gothic Revival jewellery casket, c.1880 (ormolu, iron & ivory) (see also 476606) by Giroux, Alphonse-Gustave (19th century); Private Collection; Photo eChristies Images; French

Background imageVictorian Gothic Collection: Regency four fold screen with foliate cresting, c. 1815 (mahogany)

Regency four fold screen with foliate cresting, c. 1815 (mahogany)
CH463045 Regency four fold screen with foliate cresting, c.1815 (mahogany) by English School, (19th century); 227.5x54.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageVictorian Gothic Collection: Houses of Parliament from the river, London, c. 1890-1900 (photochrom)

Houses of Parliament from the river, London, c. 1890-1900 (photochrom)
5242399 Houses of Parliament from the river, London, c.1890-1900 (photochrom) by Detroit Publishing Co. (1880-1920); Private Collection; (add.info)

Background imageVictorian Gothic Collection: King Edward VI Grammar School, Birmingham (engraving)

King Edward VI Grammar School, Birmingham (engraving)
5235181 King Edward VI Grammar School, Birmingham (engraving) by English School, (19th century); Private Collection; (add.info.: King Edward VI Grammar School)

Background imageVictorian Gothic Collection: Bigorres Bagneres. (engraving, ca. 1870)

Bigorres Bagneres. (engraving, ca. 1870)
5975597 Bigorres Bagneres. (engraving, ca. 1870) by French School, (19th century); Private Collection; (add.info.: Geography. France. Interior of the church of the Carmes in Bagneres de Bigorre)

Background imageVictorian Gothic Collection: Studies for the Lantern in The Light of the World

Studies for the Lantern in The Light of the World
5053761 Studies for the Lantern in The Light of the World, 1851-52 ( pen & brown ink over graphite on discoloured off-white paper) by Hunt, William Holman (1827-1910); 24.5x34.6 cm; Ashmolean Museum




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Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine. The Opening of Keble College, Oxford, from The Illustrated London News captures the awe-inspiring architecture that defined this era. St. Peters Church and house on Village Green, Edensor, Chatsworth Estate transport us to a picturesque countryside adorned with intricate carvings and ornate details. Architectural drawing: west front inner gatehouse by AWN Pugin showcases his iconic style that epitomized the Victorian Gothic movement. His influence extends to Design for stained glass in Lyndhurst Church: An Angel Harpist, where ethereal beauty is captured within colorful panes. The Decoration of the Drawing Room at Eastnor Castle transports us to a lavish interior filled with opulent furnishings and elaborate patterns. Meanwhile, St Finbars Cathedral stands tall as a testament to the grand scale on which these structures were built. In Dulwich College's Great Hall, we witness an imposing space adorned with towering arches and intricate woodwork - a true masterpiece of craftsmanship. The British Navy artwork takes us on a journey through time, showcasing naval prowess during this period. Nelson's Tower in Forres invites us to explore its hauntingly beautiful structure rising against the sky - an emblematic symbol architecture. Lady Clare captivates our imagination with her delicate pen strokes bringing forth an air of elegance and grace. St Jacob's stained glass window transports us back in time as we marvel at its vibrant colors illuminating sacred spaces. Knebworth House beckons visitors with its majestic presence nestled amidst Hertfordshire's rolling hills – a true gem from this era. Immerse yourself in the allure of Victorian Gothic; let it transport you to another world where artistry meets darkness.