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Portrait of a Member of the Alardes Family, early 16th century. Creator: Jacob Claesz van Utrecht
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Portrait of a Member of the Alardes Family, early 16th century. Creator: Jacob Claesz van Utrecht
Portrait of a Member of the Alardes Family, early 16th century
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Media ID 36386884
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Blazon Clasped Hands Coat Of Arms Early Renaissance Flanders Belgium Europe Glassware Hand Hands Clasped Heraldic Heraldry Lobster Pet Dog Pious Seafood Shield Of Arms Table Top Tabletop Wine Glass Wineglass National Museum Sweden Nationalmuseum Sweden Posture Stockholm National Museum Young Man
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EDITORS COMMENTS
This striking early 16th century portrait, titled "Portrait of a Member of the Alardes Family," is a masterpiece by the renowned Flemish painter Jacob Claesz van Utrecht, also known as Jacobus Traiectensis or Jacob van Utrecht. The painting, which dates back to the Sixteenth Century, is a testament to the rich heritage of European art, specifically from Flanders, Belgium. The subject of the portrait is a well-dressed man, clad in black apparel, with a fur-trimmed hat adorning his head. He is seated at a table, surrounded by an abundance of food and fine glassware. A lobster and other seafood delicacies are displayed on the table, reflecting the opulence and affluence of the Alardes family. The man's posture is pious, with his hands clasped in prayer-like position, suggesting a devout and thoughtful disposition. The background of the painting features a coat of arms, complete with a shield and a dog at its base, adding to the heraldic and historic significance of the artwork. The painting is an excellent example of the Early Renaissance period, with its meticulous attention to detail and the use of oil on wood technique. The man's face, with its expressive features and lifelike quality, is a testament to van Utrecht's skill as a painter. This portrait, now housed in the Nationalmuseum in Stockholm, Sweden, offers a glimpse into the past, providing insights into the fashion, culture, and heritage of the early modern era. The painting's enduring appeal lies in its ability to transport us to a time when the art of portraiture was an expression of wealth, power, and piety.
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