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Metal Print : Part of the Kingdom of Ireland, that is, the provinces of Ulster and Leinster, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
Metal Prints from Fondazione Alinari per la Fotografia
Part of the Kingdom of Ireland, that is, the provinces of Ulster and Leinster, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection
Part of the Kingdom of Ireland, that is, the provinces of Ulster and Leinster, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1778. Artist:Zuliani G
Alinari
PDP-A-ZATTA1-0048
Media ID 33187583
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Prints featuring the historic engraving of the Kingdom of Ireland, showcasing the provinces of Ulster and Leinster. This stunning vintage map, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta, is beautifully rendered by engraver G. Zuliani. Add an air of sophistication and history to your home or office with this unique and captivating piece of art. Each Metal Print is meticulously crafted using high-quality materials and state-of-the-art printing techniques, ensuring a vibrant and long-lasting display. Bring the rich history of Ireland into your space with our beautiful and authentic Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1778 by Antonio Zatta. Part of the Kingdom of Ireland is depicted, specifically the provinces of Ulster and Leinster. The intricate details and precision captured in this artwork transport us back to the eighteenth century. The Renaissance-Baroque styles and periods are evident in every stroke, reflecting Europe's artistic heritage during that time. As we delve into this piece, we can't help but appreciate its historical significance as it represents an era where cartography played a vital role in understanding our world. The artist's skillful rendering allows us to explore not only the geographical features but also an abstract concept and symbol within this territory. The map serves as both an instrument and document for communication, providing valuable information about sea routes, islands, and land formations. As we gaze upon this engraving, we are reminded of how maps have been crucial tools throughout history for exploration, trade routes, and territorial claims. It stands as a testament to human curiosity and our desire to understand our surroundings. This particular photograph was taken in 2009 while capturing an artwork dating back to 1778. Its presence within a private collection adds another layer of intrigue to its story. Thanks to Alinari's masterful photography skills, we can admire this piece with clarity despite its age. In conclusion, this print offers us a glimpse into the past through Zuliani's exceptional craftsmanship while highlighting the importance of cartography as a means of communication throughout history.
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