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Metal Print : BRITISH IMPERIALISM, 1882. Is it Christian to Thank God for Islam Slaughter?: American cartoon, 1882, showing the British royal family, led by Queen Victoria and the future King Edward VII (center), praying for the success of British occupying troops in Egypt
Metal Prints from Granger
BRITISH IMPERIALISM, 1882. Is it Christian to Thank God for Islam Slaughter?: American cartoon, 1882, showing the British royal family, led by Queen Victoria and the future King Edward VII (center), praying for the success of British occupying troops in Egypt
BRITISH IMPERIALISM, 1882.
Is it Christian to Thank God for Islam Slaughter?: American cartoon, 1882, showing the British royal family, led by Queen Victoria and the future King Edward VII (center), praying for the success of British occupying troops in Egypt
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 6244628
1882 African Anti Colonialism Battle British Empire Christianity Colonist Colony Edward Vii Edwardian Egypt Family Great Britain Muslim North African Political Acts Prayer Queen Satire Victoria Violence Warfare White Mans Burden
16"x24" (61x41cm) Metal Print
Step back in time with our captivating Metal Print of 'Is it Christian to Thank God for Islam Slaughter?' This intriguing American cartoon from 1882 depicts Queen Victoria and future King Edward VII leading the British royal family in prayer, as they seek divine intervention for the success of British occupying troops in Egypt. This vintage artwork, sourced from Granger Art on Demand, is a powerful reminder of the complexities of British Imperialism during this era. Display this unique piece in your home or office to spark conversation and add depth to your decor. Order your Metal Print today and bring a piece of history into your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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BRITISH IMPERIALISM, 1882 - A Controversial Prayer for Victory
EDITORS COMMENTS
. This thought-provoking print captures a significant moment in history, depicting an American cartoon from 1882 that sheds light on the complex relationship between British imperialism and religion. The image portrays the British royal family, led by Queen Victoria and future King Edward VII at its center, engaged in prayer for the triumph of British occupying troops in Egypt. The caption raises a profound ethical question: "Is it Christian to Thank God for Islam Slaughter?". This satirical artwork challenges viewers to contemplate the moral implications of colonial violence justified through religious beliefs. Set against a backdrop of political acts and anti-colonialism sentiments prevalent during this era, this lithograph serves as a powerful critique of British imperialism. It highlights the concept of "white man's burden" where European powers believed they had a duty to civilize non-European societies through forceful occupation. The cartoon also draws attention to contrasting perspectives on Christianity and its compatibility with military aggression. By juxtaposing prayer with images of warfare and African Muslim soldiers caught in conflict, it questions whether such actions align with Christian teachings. As we reflect upon this piece from the late 19th century, it prompts us to consider how historical events shaped our world today. It reminds us that art has always played a crucial role in challenging societal norms and provoking critical discussions about power dynamics, religion, and human rights.
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