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Metal Print : Déménagé !... et pour me payer trois termes... il me laisse... 1847. Creator: Honore Daumier
Metal Prints from Heritage Images
Déménagé !... et pour me payer trois termes... il me laisse... 1847. Creator: Honore Daumier
Demenage !... et pour me payer trois termes... il me laisse... 1847. Landlord whose tenant has moved out. From Locataires et proprietaires, no. 5
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Media ID 36352651
© Heritage Art/Heritage Images
Accommodation Apartment Daumier Honore Daumier Honore Victorin Disappointed Disappointment Empty Flat Funny H Daumier Honore Daumier Honore Victorin Daumier Housing Landlord Lithographic Property Rent Rented Accommodation Renting Surprise Surprised Lithotint Parody Satirical
16"x20" (51x41cm) Metal Print
Bring a touch of historical artistry to your home or office with Media Storehouse's Metal Prints featuring Honore Daumier's iconic work, "Landlord whose tenant has moved out" (Demenage !... et pour me payer trois termes... il me laisse... 1847). This timeless piece by the renowned French artist captures the essence of a bygone era, with intricate details and vivid colors that come alive on our high-quality metal prints. Each print is meticulously crafted to provide a sleek, modern look while preserving the authenticity and depth of the original artwork. Add this masterpiece to your collection and elevate your space with a unique blend of history and contemporary style.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Déménagé!... et pour me payer trois termes, il me laisse... 1847" (Moved Out! I'll let you go after three rent payments, 1847) is a poignant and satirical lithograph by the renowned French artist Honore Daumier. Created in 1847, this work is part of Daumier's series "Locataires et proprietaires" (Tenants and Landlords), which offers a humorous commentary on the social dynamics of housing and renting in 19th-century France. In this image, the landlord, depicted as a disgruntled and surprised man, stands in an empty apartment, looking around at the vacant rooms and the absence of his tenant. The title of the work, "Déménagé!" (Moved Out!), is written above his head, emphasizing the suddenness and finality of the tenant's departure. The landlord's expression conveys a sense of disappointment and perhaps even a hint of relief, as he contemplates the financial implications of the vacancy. The black and white lithograph, with its intricate lines and subtle shading, showcases Daumier's mastery of the medium. The use of contrasting tones and the empty space in the apartment add to the overall sense of melancholy and surprise. The work is a testament to the artist's keen observation of human behavior and his ability to capture the complexities of everyday life in a humorous and insightful way. This image is a valuable addition to any collection of 19th-century art, particularly those focused on the themes of housing, renting, and the human condition. The Los Angeles County Museum of Art (LACMA) is fortunate to have this work in its permanent collection, allowing future generations to appreciate the wit and wisdom of Honore Daumier.
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