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Mouse Mat : Déménagé !... et pour me payer trois termes... il me laisse... 1847. Creator: Honore Daumier
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Déménagé !... et pour me payer trois termes... il me laisse... 1847. Creator: Honore Daumier
Demenage !... et pour me payer trois termes... il me laisse... 1847. Landlord whose tenant has moved out. From Locataires et proprietaires, no. 5
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Media ID 36352651
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Accommodation Apartment Daumier Honore Daumier Honore Victorin Disappointed Disappointment Empty Flat Funny H Daumier Honore Daumier Honore Victorin Daumier Housing Landlord Lithographic Property Rent Rented Accommodation Renting Surprise Surprised Lithotint Parody Satirical
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 19.1cm x 23.7cm (7.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Déménagé!... et pour me payer trois termes, il me laisse... 1847" (Moved Out! I'll let you go after three rent payments, 1847) is a poignant and satirical lithograph by the renowned French artist Honore Daumier. Created in 1847, this work is part of Daumier's series "Locataires et proprietaires" (Tenants and Landlords), which offers a humorous commentary on the social dynamics of housing and renting in 19th-century France. In this image, the landlord, depicted as a disgruntled and surprised man, stands in an empty apartment, looking around at the vacant rooms and the absence of his tenant. The title of the work, "Déménagé!" (Moved Out!), is written above his head, emphasizing the suddenness and finality of the tenant's departure. The landlord's expression conveys a sense of disappointment and perhaps even a hint of relief, as he contemplates the financial implications of the vacancy. The black and white lithograph, with its intricate lines and subtle shading, showcases Daumier's mastery of the medium. The use of contrasting tones and the empty space in the apartment add to the overall sense of melancholy and surprise. The work is a testament to the artist's keen observation of human behavior and his ability to capture the complexities of everyday life in a humorous and insightful way. This image is a valuable addition to any collection of 19th-century art, particularly those focused on the themes of housing, renting, and the human condition. The Los Angeles County Museum of Art (LACMA) is fortunate to have this work in its permanent collection, allowing future generations to appreciate the wit and wisdom of Honore Daumier.
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