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Poster Print : Déménagé !... et pour me payer trois termes... il me laisse... 1847. Creator: Honore Daumier

Déménagé !... et pour me payer trois termes... il me laisse... 1847. Creator: Honore Daumier




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Déménagé !... et pour me payer trois termes... il me laisse... 1847. Creator: Honore Daumier

Demenage !... et pour me payer trois termes... il me laisse... 1847. Landlord whose tenant has moved out. From Locataires et proprietaires, no. 5

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Media ID 36352651

© Heritage Art/Heritage Images

Accommodation Apartment Daumier Honore Daumier Honore Victorin Disappointed Disappointment Empty Flat Funny H Daumier Honore Daumier Honore Victorin Daumier Housing Landlord Lithographic Property Rent Rented Accommodation Renting Surprise Surprised Lithotint Parody Satirical


18x24 inch Poster Print

Bring a touch of historical artistry to your space with the Media Storehouse range of Poster Prints featuring Honore Daumier's iconic work, "Landlord whose tenant has moved out," from 1847. This powerful image, titled "Demenagé !... et pour me payer trois termes... il me laisse... 1847," is a poignant commentary on the struggles of tenancy during the 19th century. With its rich details and evocative storytelling, this poster print is a captivating addition to any room. Experience the timeless art of Honore Daumier with Media Storehouse.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > D > Honore Daumier

> Arts > Pop art > Satire > Satirical artwork

> Humour > Cartoon

> Humour > Postcard

> Humour > Related Images


EDITORS COMMENTS
Déménagé!... et pour me payer trois termes, il me laisse... 1847" (Moved Out! I'll let you go after three rent payments, 1847) is a poignant and satirical lithograph by the renowned French artist Honore Daumier. Created in 1847, this work is part of Daumier's series "Locataires et proprietaires" (Tenants and Landlords), which offers a humorous commentary on the social dynamics of housing and renting in 19th-century France. In this image, the landlord, depicted as a disgruntled and surprised man, stands in an empty apartment, looking around at the vacant rooms and the absence of his tenant. The title of the work, "Déménagé!" (Moved Out!), is written above his head, emphasizing the suddenness and finality of the tenant's departure. The landlord's expression conveys a sense of disappointment and perhaps even a hint of relief, as he contemplates the financial implications of the vacancy. The black and white lithograph, with its intricate lines and subtle shading, showcases Daumier's mastery of the medium. The use of contrasting tones and the empty space in the apartment add to the overall sense of melancholy and surprise. The work is a testament to the artist's keen observation of human behavior and his ability to capture the complexities of everyday life in a humorous and insightful way. This image is a valuable addition to any collection of 19th-century art, particularly those focused on the themes of housing, renting, and the human condition. The Los Angeles County Museum of Art (LACMA) is fortunate to have this work in its permanent collection, allowing future generations to appreciate the wit and wisdom of Honore Daumier.

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