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Metal Print : PAXTON, Joseph (1801-1865). Crystal Palace. 1851

PAXTON, Joseph (1801-1865). Crystal Palace. 1851



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PAXTON, Joseph (1801-1865). Crystal Palace. 1851

PAXTON, Joseph (1801-1865). Crystal Palace. 1851. First building with revolutionary modular, prefabricated design, and use of glass. Built for the Universal Exhibition of 1851 in Hyde Park, London. Engraving

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14184745

© CAGP/Iberfoto/Mary Evans

1801 1851 1865 Architect Architects Bricklayer Bricklayers Colonialism Colonialist Colonies Colonization Colony Commerce Commerces Commercial Crystal Edifice Edifices Engravings Exhibitions Hyde Imperialism Imperialist Iron Paxton Prefabricated Revolutionary Settlements Trades Universal Modular


16"x24" (61x41cm) Metal Print

Bring history to life with our stunning Metal Prints featuring Joseph Paxton's Crystal Palace from Mary Evans Prints Online. This iconic image showcases Paxton's groundbreaking design from the Universal Exhibition of 1851 in Hyde Park, London. The first building to utilize modular, prefabricated construction and extensive use of glass, the Crystal Palace revolutionized architecture. Our high-quality Metal Prints add a modern twist to this historical masterpiece, making it a unique and captivating addition to any space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Palaces

> Architecture > Related Images

> Architecture > Styles > Colonial Architecture

> Arts > Artists > P > Joseph Paxton

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > London > Sights > Crystal Palace

> Europe > United Kingdom > England > London > Sights > Hyde Park

> Europe > United Kingdom > England > London > Towns > The Hyde


EDITORS COMMENTS
This engraving captures the iconic Crystal Palace, designed by the visionary English engineer Joseph Paxton (1801-1865), for the Universal Exhibition of 1851 held in Hyde Park, London. The Crystal Palace was a groundbreaking architectural marvel, marking the first large-scale application of modular, prefabricated design and extensive use of glass. Paxton's innovative construction techniques revolutionized the way buildings were designed and constructed, paving the way for modern industrial architecture. The scene depicted in the engraving showcases the impressive horizontal lines of the Crystal Palace, with its vast expanse of glass facade reflecting the surrounding greenery. Horses and horse-drawn carriages can be seen in the foreground, adding to the bustling atmosphere of the exhibition. The architectural edifice, a harmonious blend of iron and glass, stands as a testament to the ingenuity and creativity of the time. Paxton's architectural prowess extended beyond the Crystal Palace, as he also designed numerous other significant buildings, including country houses and greenhouses. His influence on the architectural world continued to grow, with his designs inspiring the development of various industries, including commerce, construction, and even colonial settlements. The Crystal Palace represented a turning point in architectural history, embodying the spirit of progress and innovation that characterized the Victorian era. This engraving serves as a reminder of the transformative power of architecture and the visionary minds that have shaped our built environment. Paxton's Crystal Palace remains an enduring symbol of architectural achievement and a testament to the limitless potential of human ingenuity.

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