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Metal Print : 1894 Haeckel Pithecanthropus ape man crop
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1894 Haeckel Pithecanthropus ape man crop
Pithecanthropus europeaus alalus (european speechless ape-man) by Gabriel Max, 1894, reproduced as Photogravure Plate 29 in Ernst Haeckel " Naturliche Schopfungs-Geschichte" (Natural History of Creation), Druck und Verlag, Berlin 1898. This painting was presented to Haeckel on his 60th birthday to celebrate his naming (without any fossil evidence!) a theoretical missing link between man and ape " Pithecanthropus alalus". The painting was purely hypothetical as no hominids were yet discovered. Some report it was originally commissioned by Haeckels enemy Virchow to make fun of him - but if so, it mis-fired as the picture reified the concept. At around the same time, one of Haeckels students, Eugene Dubois, found the first fossil Homo erectus specimens and gave the new species the name Pithecanthropus erectus honouring Haeckels speculative ape man
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6347099
© PAUL D STEWART/SCIENCE PHOTO LIBRARY
Ancestor Anthropology Ernst Fossil Haeckel Hominid Homo Missing Link Neanderthal Origins Reconstruction Restoration Du Bois Virchow
16"x24" (61x41cm) Metal Print
Discover the captivating history of human evolution with our Media Storehouse Metal Prints featuring the iconic image of Pithecanthropus alalus, also known as the European speechless ape-man. Reproduced from the original photogravure plate 29 in Ernst Haeckel's "Naturliche Schopfungs-Geschichte," this captivating print by Paul D. Stewart from Science Photo Library brings the intrigue of early anthropology to your home or office. Our high-quality metal prints are known for their vibrant colors, rich detail, and long-lasting durability, making this a perfect addition to any collection. Experience the beauty and historical significance of this groundbreaking discovery in a whole new way with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This print showcases Gabriel Max's 1894 painting titled "Pithecanthropus ape man crop". Reproduced as a Photogravure Plate 29 in Ernst Haeckel's renowned book "Naturliche Schopfungs-Geschichte" (Natural History of Creation), this artwork was presented to Haeckel on his 60th birthday. The painting symbolizes Haeckel's controversial naming of the theoretical missing link between humans and apes, known as "Pithecanthropus alalus" despite the absence of any fossil evidence. Interestingly, there are conflicting reports about the origins and intentions behind this painting. Some claim that it was commissioned by Haeckel's adversary, Virchow, with the aim of ridiculing him. However, if that was indeed the case, it backfired spectacularly as Max's work only reinforced the concept rather than mocking it. Coincidentally, during this period when Max created his masterpiece, one of Haeckel's students named Eugene Dubois made a groundbreaking discovery. He unearthed the first fossil specimens belonging to Homo erectus and decided to name this new species Pithecanthropus erectus in honor of Haeckel’s speculative ape-man theory. This restoration illustration from the 19th century not only represents an artistic interpretation but also holds significant anthropological value. It delves into our ancestral origins and sheds light on important figures such as Ernst Haeckel, Eugene Dubois, and even Neanderthal research. As we gaze upon this thought-provoking image captured by Paul D. Stewart for Science Photo Library, we are reminded of humanity's continuous quest for understanding our evolutionary past – a journey filled with speculation and discovery alike.
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