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Photographic Print : 1894 Haeckel Pithecanthropus ape man crop

1894 Haeckel Pithecanthropus ape man crop




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1894 Haeckel Pithecanthropus ape man crop

Pithecanthropus europeaus alalus (european speechless ape-man) by Gabriel Max, 1894, reproduced as Photogravure Plate 29 in Ernst Haeckel " Naturliche Schopfungs-Geschichte" (Natural History of Creation), Druck und Verlag, Berlin 1898. This painting was presented to Haeckel on his 60th birthday to celebrate his naming (without any fossil evidence!) a theoretical missing link between man and ape " Pithecanthropus alalus". The painting was purely hypothetical as no hominids were yet discovered. Some report it was originally commissioned by Haeckels enemy Virchow to make fun of him - but if so, it mis-fired as the picture reified the concept. At around the same time, one of Haeckels students, Eugene Dubois, found the first fossil Homo erectus specimens and gave the new species the name Pithecanthropus erectus honouring Haeckels speculative ape man

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6347099

© PAUL D STEWART/SCIENCE PHOTO LIBRARY

Ancestor Anthropology Ernst Fossil Haeckel Hominid Homo Missing Link Neanderthal Origins Reconstruction Restoration Du Bois Virchow


11"x8.5" Photo Print

Step back in time with Media Storehouse's exquisite collection of Photographic Prints. This captivating image, titled "1894 Haeckel Pithecanthropus ape man crop," showcases a reproduction of Gabriel Max's illustration of Pithecanthropus europeaus alalus, also known as the European speechless ape-man. Originally published as Photogravure Plate 29 in Ernst Haeckel's "Naturliche Schopfungs-Geschichte," this iconic representation of human evolutionary history is now available as a stunning print for your home or office. Immerse yourself in the rich scientific heritage of the past with Media Storehouse's high-quality, museum-grade reproductions.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Image Size (if not cropped) is 19.3cm x 27.9cm (7.6" x 11")

Estimated Product Size is 21.6cm x 27.9cm (8.5" x 11")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Arts > Artists > D > Eugene Dubois

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EDITORS COMMENTS
This print showcases Gabriel Max's 1894 painting titled "Pithecanthropus ape man crop". Reproduced as a Photogravure Plate 29 in Ernst Haeckel's renowned book "Naturliche Schopfungs-Geschichte" (Natural History of Creation), this artwork was presented to Haeckel on his 60th birthday. The painting symbolizes Haeckel's controversial naming of the theoretical missing link between humans and apes, known as "Pithecanthropus alalus" despite the absence of any fossil evidence. Interestingly, there are conflicting reports about the origins and intentions behind this painting. Some claim that it was commissioned by Haeckel's adversary, Virchow, with the aim of ridiculing him. However, if that was indeed the case, it backfired spectacularly as Max's work only reinforced the concept rather than mocking it. Coincidentally, during this period when Max created his masterpiece, one of Haeckel's students named Eugene Dubois made a groundbreaking discovery. He unearthed the first fossil specimens belonging to Homo erectus and decided to name this new species Pithecanthropus erectus in honor of Haeckel’s speculative ape-man theory. This restoration illustration from the 19th century not only represents an artistic interpretation but also holds significant anthropological value. It delves into our ancestral origins and sheds light on important figures such as Ernst Haeckel, Eugene Dubois, and even Neanderthal research. As we gaze upon this thought-provoking image captured by Paul D. Stewart for Science Photo Library, we are reminded of humanity's continuous quest for understanding our evolutionary past – a journey filled with speculation and discovery alike.

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