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Photographic Print : The Devilfish in Egyptian Waters. An American cartoon from 1882 depicting John Bull (England) as the octopus of imperialism grabbing land on every continent
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The Devilfish in Egyptian Waters. An American cartoon from 1882 depicting John Bull (England) as the octopus of imperialism grabbing land on every continent
IMPERIALISM CARTOON, 1882.
The Devilfish in Egyptian Waters. An American cartoon from 1882 depicting John Bull (England) as the octopus of imperialism grabbing land on every continent
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 10505423
1882 Anti Colonialism Australia British Empire Canada Cape Colony Colonialism Continent Egypt Hand India Ireland Jamaica John Bull Malta Marine North African Octopus Political Action Satirical Squid Suez Canal Symbol Tentacle Top Hat Transvaal Victorian Water World Cyprus Devilfish Gibraltar Heligoland
10"x10" Photo Print
Introducing the captivating Media Storehouse range of Photographic Prints featuring "The Devilfish in Egyptian Waters" by 140_1668775 from Granger Art on Demand. This intriguing historical cartoon, created in 1882, depicts John Bull (England) as the menacing Devilfish, with its tentacles reaching out to grab land on every continent, symbolizing imperialism. This thought-provoking image is a must-have for history enthusiasts, art collectors, or anyone interested in exploring the nuances of political satire from the past. Order your high-quality photographic print today and bring a piece of historical art into your home or office.
Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.
Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.
Estimated Image Size (if not cropped) is 23.7cm x 25.4cm (9.3" x 10")
Estimated Product Size is 25.4cm x 25.4cm (10" x 10")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Devilfish in Egyptian Waters
EDITORS COMMENTS
is a powerful political cartoon from 1882 that vividly depicts the concept of imperialism and its impact on various continents. Created by an American artist, this satirical artwork portrays John Bull, representing England, as a menacing octopus with tentacles stretching across the globe. In this thought-provoking image, each tentacle symbolizes England's relentless pursuit of land and power. From Australia to Canada, Cyprus to India, Jamaica to Ireland, these appendages firmly grip territories under British control. The octopus even extends its reach over important strategic locations like Gibraltar and the Suez Canal. The use of an octopus as a metaphor for imperialism is striking; it emphasizes how Britain's influence stretches far and wide like the arms of this marine creature. With its top hat perched atop one tentacle, John Bull embodies Victorian-era arrogance and dominance. This anti-colonialism cartoon serves as a reminder of the late 19th-century world order dominated by European powers seeking global supremacy through colonization. It highlights the detrimental effects of colonial rule on indigenous populations while critiquing Britain's expansionist policies. "The Devilfish in Egyptian Waters" remains relevant today as it prompts reflection on historical events shaped by imperialistic ambitions. By examining this piece of art, we are reminded of past struggles against oppressive systems and encouraged to question present-day power dynamics around the world.
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