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Poster Print : Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil)

Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil)




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Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil)

7290969 Burial Place of the Breadalbanes, 1826-1827 (Watercolour and pencil) by Bennet, Mary Elizabeth (1785-1861); 15.1x10.6 cm; Tyne & Wear Archives & Museums; (add.info.: Mary Elizabeth Bennet (1785- 1861) Burial Place of the Breadalbanes, 1826-1827 Watercolour and pencil Height 15.1 x Width 10.6 cm TWCMS : H9275
Lady Mary Bennet was the daughter of the Earl of Tankerville, and lived at Chillingham Castle, Northumberland. She was taught drawing by the London artist John Varley. Sketching ability was considered to be an important social skill for young upper-class ladies. She painted this watercolour view from sketches made during a tour of the Highlands of Scotland with her brother in 1826. Scottish landscape became popular after the Picturesque style of wild, rugged landscape views became established in the late-18th century. Lady Mary later married Sir Charles Monck of Belsay Hall, Northumberland.); Tyne & Wear Archives & Museums

Media ID 26406288

© Tyne & Wear Archives & Museums / Bridgeman Images

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18x24 inch Poster Print

Bring history to life with our exquisite range of poster prints from Media Storehouse. This beautiful watercolour and pencil artwork, titled "Burial Place of the Breadalbanes, 1826-1827" by Mary Elizabeth Bennet, showcases the hauntingly beautiful and historic burial place in Scotland. With intricate details and vibrant colours, this fine art print from Bridgeman Images is a must-have for history enthusiasts and art lovers alike. Add a touch of elegance and character to your home or office with this stunning piece of art.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Nesta Jennings Campbell

> Architecture > Castles

> Architecture > Churches

> Architecture > Country > England

> Architecture > Country > Scotland

> Architecture > Drawings

> Arts > Art Movements > Landscapes

> Arts > Artists > G > Charles Green

> Arts > Artists > O > Elizabeth Olds

> Arts > Artists > V > John Varley

> Arts > Artists > W > John Wood


EDITORS COMMENTS
The captivating watercolour and pencil print titled "Burial Place of the Breadalbanes, 1826-1827" by Mary Elizabeth Bennet transports us to the enchanting Scottish Highlands. Measuring at a modest 15.1x10.6 cm, this artwork holds immense beauty within its small frame. Lady Mary Bennet, daughter of the Earl of Tankerville and resident of Chillingham Castle in Northumberland, showcases her exceptional talent for drawing in this piece. Under the guidance of renowned London artist John Varley, Lady Mary honed her skills as an upper-class lady during that era. During a memorable journey through Scotland's rugged landscapes alongside her brother in 1826, Lady Mary meticulously sketched scenes that would later inspire this breathtaking watercolour view. The Scottish landscape had gained popularity after the emergence of the Picturesque style - characterized by wild and untamed scenery - towards the end of the 18th century. Lady Mary's artistic prowess shines through as she captures both the grandeur and serenity found within nature's embrace. Her attention to detail is evident in every stroke, transporting viewers to a time when untouched beauty reigned supreme. Intriguingly enough, Lady Mary eventually tied knots with Sir Charles Monck from Belsay Hall in Northumberland after creating this masterpiece. This print serves as a testament to her remarkable talent and enduring legacy. This stunning artwork from Tyne & Wear Archives & Museums allows us to appreciate not only Lady Mary Bennet's skill but also offers a glimpse into Scotland's mesmerizing landscapes during that period.

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