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Premium Framed Print : Southern Scotland divided into its counties, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection

Southern Scotland divided into its counties, engraving by G. Zuliani taken from Tome I of the 'Newest Atlas' published in Venice in 1779 by Antonio Zatta, Private Collection



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Southern Scotland divided into its counties, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection

Southern Scotland divided into its counties, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1779. Artist:Zuliani G

Alinari
PDP-A-ZATTA1-0051

Media ID 33185837

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed


14"x16" Premium Frame

Contemporary style Premium Wooden Frame with 8"x10" Print. Complete with 2" White Mat and 1.25" thick MDF frame. Printed on 260 gsm premium paper. Glazed with shatter proof UV coated acrylic glass. Backing is paper covered backing with rubber bumpers. Supplied ready to hang with a pre-installed sawtooth/wire hanger. Care Instructions: Spot clean with a damp cloth. Securely packaged in a clear plastic bag and envelope in a reinforced cardboard shipper

FSC Real Wood Frame and Double Mounted with White Conservation Mountboard - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 20.3cm (10" x 8")

Estimated Product Size is 40.6cm x 35.6cm (16" x 14")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Abstract Art > Painting > Related Images

> Abstract Art > Water

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Modern art pieces > Abstract art > Fine art

> Arts > Portraits > Abstract art > Abstract art gallery

> Arts > Portraits > Abstract art > Abstract paintings


EDITORS COMMENTS
This print showcases a remarkable engraving by G. Zuliani, taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta. The artwork, now part of a private collection in Florence, depicts Southern Scotland divided into its counties with meticulous detail and precision. The engraving beautifully captures the Renaissance-Baroque styles and periods prevalent during the eighteenth century in Europe. It serves as both a testament to the artistic skill of Zuliani and an invaluable historical document showcasing the geographical layout of this region over two centuries ago. As we delve into this masterpiece, we are transported back through time to an era where cartography played a vital role in communication and understanding of territories. This particular piece stands as an allegory for exploration and discovery, symbolizing mankind's insatiable curiosity about our world. The abstract concept represented within this map is nothing short of extraordinary. Its intricate lines delineate coastlines, rivers, mountains, and cities – all essential elements that define a landscape's character. Moreover, it provides us with insights into how people perceived their surroundings during that period. Intriguingly juxtaposed against modern photography techniques used to capture this image in 2009 is the timeless beauty emanating from Zuliani's work created more than two centuries prior. This fusion between past and present highlights not only the enduring importance of maps but also their ability to transcend time itself. Through Alinari's lens capturing every minute detail on this print, we can appreciate not just Southern Scotland's topography but also gain insight into European history during one of its most transformative periods – bridging gaps between cultures while fostering new discoveries across continents.

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