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Fine Art Print : L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)

L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)



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L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)

ICA4890409 L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph) by Hradecky, Vaclav (1865-1940); (add.info.: L Plate au beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne - Illustration by Vaclav Hradecky (1867-1940)); Photo © Caricadoc

Media ID 24693086

© Caricadoc / Bridgeman Images

Administration Bureaucracy Factor Mail Marianne Official Woman Symbol Caricadoc


20"x16" (+3" Border) Fine Art Print

Bring a touch of timeless elegance and satire to your home or office with the Media Storehouse range of Fine Art Prints. This exquisite lithograph, "L Assiette au Beurre, number 164, Satirique en Couleurs, 1904-1905-21: Republican, Administration, Courier La Poste - Marianne" by Hradecky, is a captivating masterpiece from Bridgeman Images. Originally published in 1904-1905, this satirical work, titled "The Butter Plate," features the iconic figure of Marianne, the symbol of the French Republic, as she delivers mail while balancing a plate on her head. The intricate details and vibrant colors of this piece will add a sophisticated and thought-provoking element to any space. Order your Fine Art Print today and enjoy the beauty and history of this remarkable artwork.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 55.9cm x 66cm (22" x 26")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Georges Dupuis

> Fine Art Finder > Artists > Vaclav Hradecky


EDITORS COMMENTS
This lithograph, titled "L'Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne" takes us back to the early 20th century in France. Created by Vaclav Hradecky in 1904-1905 for the satirical magazine L'Assiette au Beurre, this artwork offers a humorous and critical commentary on bureaucracy and administration during that time. The image depicts a scene from a French post office where an overwhelmed female postal worker symbolizing Marianne (the national emblem of France) is surrounded by stacks of mail and paperwork. The artist skillfully captures the chaos and inefficiency of the bureaucratic system through exaggerated facial expressions and body language. Hradecky's use of vibrant colors adds depth to this lithograph while also highlighting the irony behind administrative processes. The intricate details in each element invite viewers to explore every corner of the print. This artwork serves as a reminder that even over a century ago, issues such as bureaucracy and labor were subjects of satire and critique. It reflects not only the challenges faced by workers but also sheds light on societal attitudes towards government institutions. With its historical significance and artistic brilliance, this lithograph continues to captivate audiences today. It stands as both an intriguing snapshot into French society at the turn of the century and a testament to Hradecky's talent as an illustrator.

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