Metal Print : L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)

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L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)

ICA4890409 L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph) by Hradecky, Vaclav (1865-1940); (add.info.: L Plate au beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne - Illustration by Vaclav Hradecky (1867-1940)); Photo © Caricadoc

Media ID 24693086

© Caricadoc / Bridgeman Images

Administration Bureaucracy Factor Mail Marianne Official Woman Symbol Caricadoc

16"x20" (51x41cm) Metal Print

Bring a touch of timeless elegance to your space with our Media Storehouse Metal Prints featuring the iconic lithograph "L Assiette au Beurre, number 164, Satirique en Couleurs, 1904-1905-21: Republican, Administration, Courier La Poste - Marianne" by Hradecky, published by Bridgeman Images from Fine Art Finder. This satirical masterpiece, originally created in 1904-1905, showcases Marianne, the symbol of the French Republic, as a postal worker delivering letters. The vivid colors and intricate details of this piece are beautifully preserved in our high-quality metal prints, creating a stunning and conversation-starting addition to any room. Order yours today and experience the art of the past in a modern, contemporary way.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Georges Dupuis

> Fine Art Finder > Artists > Vaclav Hradecky

EDITORS COMMENTS
This lithograph, titled "L'Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne" takes us back to the early 20th century in France. Created by Vaclav Hradecky in 1904-1905 for the satirical magazine L'Assiette au Beurre, this artwork offers a humorous and critical commentary on bureaucracy and administration during that time. The image depicts a scene from a French post office where an overwhelmed female postal worker symbolizing Marianne (the national emblem of France) is surrounded by stacks of mail and paperwork. The artist skillfully captures the chaos and inefficiency of the bureaucratic system through exaggerated facial expressions and body language. Hradecky's use of vibrant colors adds depth to this lithograph while also highlighting the irony behind administrative processes. The intricate details in each element invite viewers to explore every corner of the print. This artwork serves as a reminder that even over a century ago, issues such as bureaucracy and labor were subjects of satire and critique. It reflects not only the challenges faced by workers but also sheds light on societal attitudes towards government institutions. With its historical significance and artistic brilliance, this lithograph continues to captivate audiences today. It stands as both an intriguing snapshot into French society at the turn of the century and a testament to Hradecky's talent as an illustrator.

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