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Photographic Print : L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)

L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)




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L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)

ICA4890409 L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph) by Hradecky, Vaclav (1865-1940); (add.info.: L Plate au beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne - Illustration by Vaclav Hradecky (1867-1940)); Photo © Caricadoc

Media ID 24693086

© Caricadoc / Bridgeman Images

Administration Bureaucracy Factor Mail Marianne Official Woman Symbol Caricadoc


10"x8" Photo Print

Bring a piece of historical art into your home with the Media Storehouse range of Photographic Prints featuring "L Assiette au Beurre, number 164, Satirique en Couleurs, 1904-1905-21: Republican, Administration, Courier La Poste - Marianne" by Hradecky. This iconic lithograph, published by Bridgeman Images from Fine Art Finder, showcases the satirical image of Marianne, the symbol of the French Republic, holding a letter in one hand and a butter dish in the other, while the Courier La Poste is depicted as a dog delivering a letter. This timeless piece of art, originally created in 1904, adds a touch of history and sophistication to any decor. Order your print today and enjoy the beauty and richness of this masterpiece in your personal collection.

Photo prints are produced on Kodak professional photo paper resulting in timeless and breath-taking prints which are also ideal for framing. The colors produced are rich and vivid, with accurate blacks and pristine whites, resulting in prints that are truly timeless and magnificent. Whether you're looking to display your prints in your home, office, or gallery, our range of photographic prints are sure to impress. Dimensions refers to the size of the paper in inches.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 20.3cm x 25.4cm (8" x 10")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > Georges Dupuis

> Fine Art Finder > Artists > Vaclav Hradecky


EDITORS COMMENTS
This lithograph, titled "L'Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne" takes us back to the early 20th century in France. Created by Vaclav Hradecky in 1904-1905 for the satirical magazine L'Assiette au Beurre, this artwork offers a humorous and critical commentary on bureaucracy and administration during that time. The image depicts a scene from a French post office where an overwhelmed female postal worker symbolizing Marianne (the national emblem of France) is surrounded by stacks of mail and paperwork. The artist skillfully captures the chaos and inefficiency of the bureaucratic system through exaggerated facial expressions and body language. Hradecky's use of vibrant colors adds depth to this lithograph while also highlighting the irony behind administrative processes. The intricate details in each element invite viewers to explore every corner of the print. This artwork serves as a reminder that even over a century ago, issues such as bureaucracy and labor were subjects of satire and critique. It reflects not only the challenges faced by workers but also sheds light on societal attitudes towards government institutions. With its historical significance and artistic brilliance, this lithograph continues to captivate audiences today. It stands as both an intriguing snapshot into French society at the turn of the century and a testament to Hradecky's talent as an illustrator.

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