Poster Print : L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)

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L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph)

ICA4890409 L Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne (lithograph) by Hradecky, Vaclav (1865-1940); (add.info.: L Plate au beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne - Illustration by Vaclav Hradecky (1867-1940)); Photo © Caricadoc

Media ID 24693086

© Caricadoc / Bridgeman Images

Administration Bureaucracy Factor Mail Marianne Official Woman Symbol Caricadoc

18x24 inch Poster Print

Bring a touch of historical satire to your walls with the Media Storehouse range of poster prints. This stunning lithograph, titled "L Assiette au Beurre, number 164, Satirique en Couleurs, 1904-1905-21: Republican, Administration, Courier La Poste - Marianne" by Hradecky, is a captivating piece from the Bridgeman Images collection. Originally published by Fine Art Finder, this satirical image featuring Marianne, the symbol of the French Republic, offers a glimpse into the political climate of the early 20th century. Add this unique and intriguing piece to your decor and start a conversation about the rich history it represents.

Poster prints are budget friendly enlarged prints in standard poster paper sizes. Printed on 150 gsm Matte Paper for a natural feel and supplied rolled in a tube. Great for framing and should last many years. To clean wipe with a microfiber, non-abrasive cloth or napkin. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Product Size is 46.3cm x 61.6cm (18.2" x 24.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Georges Dupuis

> Fine Art Finder > Artists > Vaclav Hradecky

EDITORS COMMENTS
This lithograph, titled "L'Assiette au Beurre, number 164, Satirique en Couleurs, 1904_5_21: Republican, Administration, Courier La Poste - Marianne" takes us back to the early 20th century in France. Created by Vaclav Hradecky in 1904-1905 for the satirical magazine L'Assiette au Beurre, this artwork offers a humorous and critical commentary on bureaucracy and administration during that time. The image depicts a scene from a French post office where an overwhelmed female postal worker symbolizing Marianne (the national emblem of France) is surrounded by stacks of mail and paperwork. The artist skillfully captures the chaos and inefficiency of the bureaucratic system through exaggerated facial expressions and body language. Hradecky's use of vibrant colors adds depth to this lithograph while also highlighting the irony behind administrative processes. The intricate details in each element invite viewers to explore every corner of the print. This artwork serves as a reminder that even over a century ago, issues such as bureaucracy and labor were subjects of satire and critique. It reflects not only the challenges faced by workers but also sheds light on societal attitudes towards government institutions. With its historical significance and artistic brilliance, this lithograph continues to captivate audiences today. It stands as both an intriguing snapshot into French society at the turn of the century and a testament to Hradecky's talent as an illustrator.

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