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Framed Print : State of Mogol with Ceylon and Maldive Islands, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
Framed Photos from Fondazione Alinari per la Fotografia
State of Mogol with Ceylon and Maldive Islands, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection
State of Mogol with Ceylon and Maldive Islands, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0006
Media ID 33186353
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
12"x10" Modern Frame
Introducing the exquisite Framed Print from Media Storehouse's vintage collection, featuring the captivating "State of Mogol with Ceylon and Maldive Islands" engraving. This stunning piece, taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, is a rare and beautiful addition to any home or office. The intricate detail and authenticity of this G. Zuliani engraving are brought to life in this high-quality framed print, carefully preserved from the private collection of Alinari. Transport yourself back in time with this stunning work of art, showcasing the rich history and culture of the Indian Ocean region. A perfect conversation starter and a timeless piece to be cherished for generations.
10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")
Estimated Product Size is 25.4cm x 30.5cm (10" x 12")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "State of Mogol with Ceylon and Maldive Islands" created by the talented artist G. Zuliani in 1785. The engraving was featured in Tome IV of the renowned "Newest Atlas" published in Venice, Italy during that time period by Antonio Zatta. The artwork itself is a true masterpiece, representing the distinctive styles and periods of Renaissance-Baroque art prevalent throughout Europe during the eighteenth century. It beautifully captures the essence of cartography, drawing us into a world where territories are meticulously depicted through intricate lines and detailed graphics. As we delve deeper into this enchanting piece, we are transported to a realm where geography comes alive. The sea stretches out before us, its vastness teeming with life and mystery. Our eyes are drawn to the islands of Ceylon and Maldive, their contours gracefully etched onto paper as if inviting exploration. Beyond its geographical significance lies an allegorical element that speaks volumes about communication and human connection across time. This artwork serves as both instrument and document—a testament to mankind's insatiable curiosity for understanding our world. Dating back to 1785, this engraving holds immense historical value—representing a snapshot from an era when maps were not just tools but works of art themselves. Its presence within private collections like Florence Engraving Eighteenth Century further emphasizes its importance within artistic circles. Through this photograph taken in 2009 by Alinari—an esteemed name associated with capturing timeless images—we can appreciate how this artwork transcends centuries while still retaining its allure. It stands as a symbol of our enduring fascination with mapping our surroundings—a concept that has persisted since ancient times until today's modern cartographic techniques. In summary, this remarkable print invites us on a visual journey through time—an invitation to explore not only physical landscapes but also abstract concepts such as communication, symbolism, and the ever-evolving art of cartography.
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