Metal Print : State of Mogol with Ceylon and Maldive Islands, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

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Metal Prints from Fondazione Alinari per la Fotografia

State of Mogol with Ceylon and Maldive Islands, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection

State of Mogol with Ceylon and Maldive Islands, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1785. Artist:Zuliani G

Alinari
PDP-A-ZATTA4-0006

Media ID 33186353

© Alinari Archives, Florence

Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Islandeighteenth Century Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed

16"x20" (51x41cm) Metal Print

Step back in time with our exquisite Metal Print of the State of Mogol with Ceylon and Maldive Islands, an enchanting engraving by G. Zuliani from Tome IV of the "Newest Atlas" published in Venice in 1785 by Antonio Zatta. This stunning piece of historical artistry showcases the intricate details of the Indian Ocean and its surrounding islands, including Ceylon and the Maldive Islands. Our high-quality Metal Prints are not just a decorative addition to your space, but a journey through history, bringing the richness and beauty of the past into your home or office. Each print is meticulously crafted using premium metal materials, ensuring a long-lasting and vibrant display. Experience the allure of the ancient world with our State of Mogol Metal Print, a timeless piece that is sure to captivate and inspire.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Abstract Art > Water

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Modern art pieces > Abstract art > Fine art

> Arts > Portraits > Abstract art > Abstract art gallery

> Arts > Portraits > Abstract art > Abstract paintings

EDITORS COMMENTS
This print showcases an exquisite engraving titled "State of Mogol with Ceylon and Maldive Islands" created by the talented artist G. Zuliani in 1785. The engraving was featured in Tome IV of the renowned "Newest Atlas" published in Venice, Italy during that time period by Antonio Zatta. The artwork itself is a true masterpiece, representing the distinctive styles and periods of Renaissance-Baroque art prevalent throughout Europe during the eighteenth century. It beautifully captures the essence of cartography, drawing us into a world where territories are meticulously depicted through intricate lines and detailed graphics. As we delve deeper into this enchanting piece, we are transported to a realm where geography comes alive. The sea stretches out before us, its vastness teeming with life and mystery. Our eyes are drawn to the islands of Ceylon and Maldive, their contours gracefully etched onto paper as if inviting exploration. Beyond its geographical significance lies an allegorical element that speaks volumes about communication and human connection across time. This artwork serves as both instrument and document—a testament to mankind's insatiable curiosity for understanding our world. Dating back to 1785, this engraving holds immense historical value—representing a snapshot from an era when maps were not just tools but works of art themselves. Its presence within private collections like Florence Engraving Eighteenth Century further emphasizes its importance within artistic circles. Through this photograph taken in 2009 by Alinari—an esteemed name associated with capturing timeless images—we can appreciate how this artwork transcends centuries while still retaining its allure. It stands as a symbol of our enduring fascination with mapping our surroundings—a concept that has persisted since ancient times until today's modern cartographic techniques. In summary, this remarkable print invites us on a visual journey through time—an invitation to explore not only physical landscapes but also abstract concepts such as communication, symbolism, and the ever-evolving art of cartography.

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