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Framed Print : Inertia (litho)

Inertia (litho)




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Inertia (litho)

7150303 Inertia (litho) by Barrett, Oswald Charles (BATT) (1892-1945); Private Collection; (add.info.: Inertia. Illustration from How Should We Rebuild London? by C B Purdom (J M Dent & Sons Ltd, London, 1945).); © Look and Learn

Media ID 25142030

© Look and Learn / Bridgeman Images

1939 1945 Wwii Ww Two 1940 1949 19401949 1940s 39 45 Asleep City Map City Plan Forties Future General Map Ii World War Mountain River Napping Nineteen Forties Post War Progress Reconstruction Reenactment Replica Reproduction River Course Safe Second World War Second World War 1939 1945 Street Plan World War World War 2 World War Ii World War Two Wwii War Zone


12"x10" Modern Frame

Introducing the Media Storehouse Framed Prints collection, featuring the captivating artwork "Inertia (litho)" by Oswald Charles Barrett. This stunning piece, brought to you through our partnership with Bridgeman Images and Fine Art Finder, showcases Barrett's mastery of lithography. The intricate details and rich colors of "Inertia" are sure to add depth and character to any space. With its thought-provoking title and intriguing backstory as an illustration from "How Should We Rebuild London," this framed print is a must-have for art enthusiasts and collectors alike. Elevate your home or office decor with a touch of timeless beauty and the story behind this iconic piece. Order your Media Storehouse Framed Print of "Inertia (litho)" today and bring a piece of fine art into your world.

10x8 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexi glass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.

Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang

Estimated Image Size (if not cropped) is 25.4cm x 25.4cm (10" x 10")

Estimated Product Size is 25.4cm x 30.5cm (10" x 12")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Oswald Charles (1892-1945) Barrett

> Animals > Mammals > Muridae > Fortior

> Arts > Artists > W > Charles White

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > United Kingdom > England > Herefordshire > Ledbury > Charles II

> Europe > United Kingdom > England > London > Boroughs > City of London

> Europe > United Kingdom > England > London > River Thames

> Europe > United Kingdom > England > Maps

> Europe > United Kingdom > England > Rivers

> Europe > United Kingdom > Maps


Inertia (litho)

EDITORS COMMENTS
is a captivating print that takes us back to the early 20th century, specifically the post-war era of 1940s London. This satirical drawing, created by Oswald Charles Barrett, offers a thought-provoking perspective on how the city should be rebuilt after the devastation of World War II. The artwork depicts a future vision of London, where safety and security are paramount. The artist's skillful use of caricature and cartoon elements adds an element of humor to this otherwise serious subject matter. Through his clever portrayal, Barrett invites viewers to reflect on the challenges faced by a war-torn nation as it strives for recovery. The image showcases a river flowing through the heart of London, symbolizing both continuity and change. The river serves as a metaphor for history itself - constantly evolving yet remaining rooted in its course. Surrounding this central feature are maps representing England and Europe, reminding us that rebuilding London is part of a broader effort to restore peace and stability across the continent. As we gaze upon "Inertia (litho)" we are transported back in time to witness an important chapter in British history. It reminds us that even amidst destruction and chaos, there is always hope for renewal and progress. This print serves as both a testament to human resilience and an artistic commentary on society's ability to adapt in times of adversity.

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