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Batsford Collection (#2)

"Batsford: A Timeless Journey through Art and Culture" Step into the enchanting world of Batsford, where centuries-old masterpieces come to life

Background imageBatsford Collection: French Renaissance carpet painting, (1898). Creator: Unknown

French Renaissance carpet painting, (1898). Creator: Unknown
French Renaissance carpet painting, (1898). Details from walls painted to look like carpets or tapestries: Figs 1-9: Painted carpet-patterns in the Castle at Blois [Chateau de Blois] from the time of

Background imageBatsford Collection: German Renaissance metalwork, (1898). Creator: Unknown

German Renaissance metalwork, (1898). Creator: Unknown
German Renaissance metalwork, (1898). Figs 1-6: Representations of armour from the Kabinet der Handzeichnungen alter Meister at Munich...Many weapons and armours, the surfaces of which are

Background imageBatsford Collection: German Renaissance polychrome painted plaster work, (1898). Creator: Unknown

German Renaissance polychrome painted plaster work, (1898). Creator: Unknown
German Renaissance polychrome painted plaster work, (1898). Figs 1-10: Portions of the painted wood ceiling in the knights -hall of the Castle at Heiligenberg

Background imageBatsford Collection: Painting, leather tapestry, stucco ornaments, France and Germany, 17th and 18th centuries, (1898)

Painting, leather tapestry, stucco ornaments, France and Germany, 17th and 18th centuries, (1898). Fig 1: Stamped leather hangings in the style of Louis XIV from the Sammlung vaterlandischer

Background imageBatsford Collection: Painted plaster ornament, France, 18th century, (1898). Creator: Unknown

Painted plaster ornament, France, 18th century, (1898). Creator: Unknown
Painted plaster ornament, France, 18th century, (1898). Fig 1: Wood carving on a wainscot in the music room of the arsenal library at Paris, style of Louis XV [c1715-1774]

Background imageBatsford Collection: Gobelins weaving, France, 18th century, (1898). Creator: Unknown

Gobelins weaving, France, 18th century, (1898). Creator: Unknown
Gobelins weaving, France, 18th century, (1898). Fig 1: Chair-seat by Louis Tessier, Louis XV [c1715-1774]. Fig 2: Basket of fruit by the same Artist, Louis XV

Background imageBatsford Collection: Plaster ornaments, France, 17th and 18th centuries, (1898). Creator: Unknown

Plaster ornaments, France, 17th and 18th centuries, (1898). Creator: Unknown
Plaster ornaments, France, 17th and 18th centuries, (1898). Fig 1: Panel decorations at door and window niches in the throne room of the Castle at Fontainebleau, style of Louis XIV [c1643-1715]

Background imageBatsford Collection: Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown

Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown
Gobelins tapestries, late 17th-early18th century, (1898). Fig 1: Gobelin tapestry for the Castle of St. Germain [Chateau-Neuf de Saint-Germain-en-Laye, near Paris]

Background imageBatsford Collection: Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898)

Embroidery, leather tapestry, goldsmiths work, 17th, 18th and 19th centuries, (1898). Fig 1: Embroidery from the Sammlung vaterlandischer Altertumer at Stuttgart

Background imageBatsford Collection: German Renaissance wall painting and ornament in stone and wood, (1898). Creator: Unknown

German Renaissance wall painting and ornament in stone and wood, (1898). Creator: Unknown
German Renaissance wall painting and ornament in stone and wood, (1898). Figs 1-8: Portions of painted frescoes in the Church at Freudenstadt...the interior of the celebrated Church at Freudenstadt

Background imageBatsford Collection: German Renaissance cartouches and works in metal and enamel, (1898). Creator: Unknown

German Renaissance cartouches and works in metal and enamel, (1898). Creator: Unknown
German Renaissance cartouches and works in metal and enamel, (1898). Figs 1 and 2: Cartouches from a pedigree in the Sammlung vaterlandischer Altertumer at Stuttgart

Background imageBatsford Collection: German Renaissance painted plaster ornament, (1898). Creator: Unknown

German Renaissance painted plaster ornament, (1898). Creator: Unknown
German Renaissance painted plaster ornament, (1898). Our representations illustrate further details of the ceiling in the large knights hall of the castle of Heiligenberg mentioned with Plate 72

Background imageBatsford Collection: Metalwork and woodcarving, France and Germany, (1898). Creator: Unknown

Metalwork and woodcarving, France and Germany, (1898). Creator: Unknown
Metalwork and woodcarving, France and Germany, (1898). Figs 1-7: Table mountings in the Royal Bavarian Museum, Munich, Louis XIV period [c1643-1715]

Background imageBatsford Collection: German Renaissance typographic ornaments, (1898). Creator: Unknown

German Renaissance typographic ornaments, (1898). Creator: Unknown
German Renaissance typographic ornaments, (1898). Fig 1: Title-frame (1519) probably by Hieronymus Hopfer. Fig 2: Initial by A. Durer. Fig 3: Frieze (1539) by A. Aldengrever [Heinrich Aldegrever?]

Background imageBatsford Collection: Byzantine glass mosaic, coloured enamel, illumination, (1898). Creator: Unknown

Byzantine glass mosaic, coloured enamel, illumination, (1898). Creator: Unknown
Byzantine glass mosaic, coloured enamel, illumination, (1898). Fig 1: Glass-mosaic from the cylindrical vault above the central nave of the tomb-church of Galla Placidia at Ravenna [Italy]

Background imageBatsford Collection: Scandinavian wood-carvings, (1898). Creator: Unknown

Scandinavian wood-carvings, (1898). Creator: Unknown
Scandinavian wood-carvings, (1898). Northern - Wood Carving - Fig 1: Porch of the church at Hedal. Fig 2: Side portion of the Porch of the church at Austad

Background imageBatsford Collection: Medieval ceiling and wall painting, (1898). Creator: Unknown

Medieval ceiling and wall painting, (1898). Creator: Unknown
Medieval ceiling and wall painting, (1898). Fig 1: From a pedigree in the hospital-church at Stuttgart, 15th century. Fig 2: Portion of Fig 22: Painted flat ornament, the ground being deepened

Background imageBatsford Collection: Medieval wood mosaic, (1898). Creator: Unknown

Medieval wood mosaic, (1898). Creator: Unknown
Medieval wood mosaic, (1898). Figs 1-6: From a reading-desk in the cathedral of Orvieto [Italy]. Figs 7 and 8: From the stalls of Frari Church at Venice. Figs 9-17: From the vestry-door in S

Background imageBatsford Collection: Medieval stained glass, (1898). Creator: Unknown

Medieval stained glass, (1898). Creator: Unknown
Medieval stained glass, (1898). Figs 1-6: From the cathedral at Chartres. Fig 7: From the abbey-church at St. Denis. Fig 8: From the church St. Urbain at Troyes. Fig 9: From the cathedral ibid

Background imageBatsford Collection: Medieval architectural ornament and sculpture, (1898). Creator: Unknown

Medieval architectural ornament and sculpture, (1898). Creator: Unknown
Medieval architectural ornament and sculpture, (1898). Fig 1: Carved figure from the stalls of the Minster at Ulm. Fig 2: Projecting bracket of a seat-flap (Misericordia) of the same stalls

Background imageBatsford Collection: Italian Renaissance wood mosaic, (1898). Creator: Unknown

Italian Renaissance wood mosaic, (1898). Creator: Unknown
Italian Renaissance wood mosaic, (1898). Fig 1: From the choir-stalls in S. Anastasia at Verona. Fig 2: From the dado of the vestry-shrines in S. Maria in Organo ibid

Background imageBatsford Collection: Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Creator: Unknown

Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Creator: Unknown
Byzantine incrusted enamel, marble mosaic, glass mosaic, (1898). Fig 1: Christ enthroned on a rainbow and surrounded by the symbols of the four Evangelists - book-cover of gilt bronze decorated with

Background imageBatsford Collection: Roman architectural ornament and sculpture, (1898). Creator: P Burkhardt

Roman architectural ornament and sculpture, (1898). Creator: P Burkhardt
Roman architectural ornament and sculpture, (1898). Fig 1: Corinthian capital from the Pantheon at Rome. Fig 2: Head of a candelabrum from the Vatican Museum

Background imageBatsford Collection: Persian metawork, (1898). Creator: Unknown

Persian metawork, (1898). Creator: Unknown
Persian metawork, (1898). Examples of metal objects with damascened designs including Arabic inscriptions: Figs 1 and 2: Helm [helmet] with shield belonging to it. Fig 3: Border from an armature

Background imageBatsford Collection: Italian Renaissance stained glass, (1898). Creator: Unknown

Italian Renaissance stained glass, (1898). Creator: Unknown
Italian Renaissance stained glass, (1898). Fig 1: From the National Museum in the Bargello at Florence, taken by H. Dolmetsch

Background imageBatsford Collection: Medieval weaving, embroidery, enamel and painted sculpture, (1898). Creator: Unknown

Medieval weaving, embroidery, enamel and painted sculpture, (1898). Creator: Unknown
Medieval weaving, embroidery, enamel and painted sculpture, (1898). Fig 1: Statue of St. Simon in the choir of Cologne Cathedral. Fig 2: Pattern on the robe of another statue ibid

Background imageBatsford Collection: Persian pottery, (1898). Creator: Unknown

Persian pottery, (1898). Creator: Unknown
Persian pottery, (1898). Figs 1-5: Ancient Persian fayence plates in the Musee Cluny at Paris. Figs 6 and 7: Borders from walls wainscoted with fayence. Fig 3. After an original drawing by C

Background imageBatsford Collection: Japanese weaving, painting and cloisonne, (1898). Creator: Unknown

Japanese weaving, painting and cloisonne, (1898). Creator: Unknown
Japanese weaving, painting and cloisonne, (1898). Examples of painted decoration, textiles and enamelling: Figs 1-7: Borders and patterns from silk stuffs

Background imageBatsford Collection: Indian metal work, embroidery, weaving and painting, (1898). Creator: Unknown

Indian metal work, embroidery, weaving and painting, (1898). Creator: Unknown
Indian metal work, embroidery, weaving and painting, (1898). Fig 1: Ancus (instrument used to drive and train elephants) in chiselled iron

Background imageBatsford Collection: Roman mosaic floors, (1898). Creator: Unknown

Roman mosaic floors, (1898). Creator: Unknown
Roman mosaic floors, (1898). Fig 1: Mosaic frieze in the house of the Faun at Pompeii [Italy]. Figs 2 and 3: Patterns of plate-mosaic in the Palatine Museum at Rome (drawn by H. Dolmetsch)

Background imageBatsford Collection: Italian Renaissance works in precious metals and enamel, (1898). Creator: Unknown

Italian Renaissance works in precious metals and enamel, (1898). Creator: Unknown
Italian Renaissance works in precious metals and enamel, (1898). Fig 1: Crowning of a little altar in the Galerie d Apollon of the Louvre at Paris

Background imageBatsford Collection: Indian embroidery, weaving, plaiting and lacquerwork, (1898). Creator: Unknown

Indian embroidery, weaving, plaiting and lacquerwork, (1898). Creator: Unknown
Indian embroidery, weaving, plaiting and lacquerwork, (1898). Fig 1: Embroidered carpet of the 16th century. Figs 2-6: Borders from silk-embroideries. Fig 7: Pattern embroidered in silk

Background imageBatsford Collection: Italian Renaissance ornament in marble and bronze, (1898). Creator: Unknown

Italian Renaissance ornament in marble and bronze, (1898). Creator: Unknown
Italian Renaissance ornament in marble and bronze, (1898). Fig 1: Door-lintel with marble-frieze in the Palazzo Ducale at Urbino, 15th century. Fig 2: Frieze on a marble-chimney ibid

Background imageBatsford Collection: Italian Renaissance ceiling and wall painting, (1898). Creator: Unknown

Italian Renaissance ceiling and wall painting, (1898). Creator: Unknown
Italian Renaissance ceiling and wall painting, (1898). Fig 1: Tympanum from the Sala Ducale in the Vatican at Rome. Figs 2-5: Details from the Loggie of Raffaelle ibid

Background imageBatsford Collection: Medieval wall painting, (1898). Creator: Unknown

Medieval wall painting, (1898). Creator: Unknown
Medieval wall painting, (1898). Figs 1 and 2: From the apsis of the Basilica di S. Angelo in Formis near Capua, 11th century

Background imageBatsford Collection: Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Creator: Unknown

Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Creator: Unknown
Italian Renaissance illumination, weaving, and marble-mosaic, (1898). Figs 1-6: Paintings from divers manuscripts. Fig 7: Velvet-stuff in the Museum vaterlandischer Altertumer at Stuttgart

Background imageBatsford Collection: French Renaissance block printing and embroidery, (1898). Creator: Unknown

French Renaissance block printing and embroidery, (1898). Creator: Unknown
French Renaissance block printing and embroidery, (1898). Figs 1, 2 and 4: Patterns in relief-printing, 17th century. Fig 3: Pattern in flat printing, 17th century

Background imageBatsford Collection: Russian enamel, majolica, wall painting, ceilings and japanned woodwork, (1898). Creator: Unknown

Russian enamel, majolica, wall painting, ceilings and japanned woodwork, (1898). Creator: Unknown
Russian enamel, majolica, wall painting, ceilings and japanned woodwork, (1898). Figs 1-4: Wall-paintings on a spiral staircase in the Cathedral of the Annunciation at Moscow, 15th century

Background imageBatsford Collection: Italian Renaissance polychrome ceramics, (1898). Creator: Unknown

Italian Renaissance polychrome ceramics, (1898). Creator: Unknown
Italian Renaissance polychrome ceramics, (1898). Examples of painted faience: Figs 1, 6, 9, 11, 12, 13, 14 and 15: Wainscot-plates on the staircase-walls of the house Nr. 26 in Via Luccoli at Genoa

Background imageBatsford Collection: Italian Renaissance ornamental painting, (1898). Creator: Unknown

Italian Renaissance ornamental painting, (1898). Creator: Unknown
Italian Renaissance ornamental painting, (1898). Examples of painted building facades: Figs 1-7: From the front of a house in Genoa (Via San Matteo. Nr, 10)

Background imageBatsford Collection: Road leading through avenue of beech trees with fallen autumn leaves, Batsford, Gloucestershire

Road leading through avenue of beech trees with fallen autumn leaves, Batsford, Gloucestershire, England, United Kingdom, Europe

Background imageBatsford Collection: The Old Churches of London, 1942 book

The Old Churches of London, 1942 book
The Old Churches of London. Cover page from The Old Churches of London (1942) by the British antiquary and architectural historian Gerald Cobb (19001986)

Background imageBatsford Collection: The church and dry stone wall, Batsford, The Cotswolds, Gloucestershire

The church and dry stone wall, Batsford, The Cotswolds, Gloucestershire, England, United Kingdom, Europe




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"Batsford: A Timeless Journey through Art and Culture" Step into the enchanting world of Batsford, where centuries-old masterpieces come to life. This hidden gem unveils a treasure trove of artistic wonders that span across various civilizations and eras. From the intricate German Renaissance ceiling and wall paintings to the mesmerizing wood mosaics and embroideries, every corner exudes beauty beyond imagination. Transport yourself back in time as you explore the Ancient Greek ornamental architecture and sculptures meticulously preserved within Batsford's walls. Marvel at the delicate brushstrokes on Ancient Greek pottery, transporting you to an era long gone but forever cherished. As you wander further, discover a vibrant poster inviting adventurers from all corners of the globe to "Come to Britain for Hiking. " Let your spirit soar amidst breathtaking landscapes that have inspired countless explorers throughout history. Immerse yourself in grandeur as Princess Turandot takes center stage in a Moscow Theatre setting fit for royalty. Witness this captivating play unfold before your eyes, leaving you spellbound by its sheer magnificence. Bask in awe at painted plasterwork from 18th century Germany, showcasing unparalleled craftsmanship that has stood the test of time. Delicate medieval enamel illuminates manuscripts with tales untold while Byzantine weaving and embroidery weave stories through threads intricately intertwined. Marvel at Indian marble inlay that adorns Batsford's halls with exquisite patterns carved into stone by unknown hands. Allow ancient Egyptian decorations to transport you back thousands of years when pharaohs ruled over mighty empires, while Assyrian decoration whispers tales of strength and resilience etched into their very essence. In this haven where art transcends boundaries, immerse yourself in cultures long past yet ever-present within these hallowed walls. Batsford invites you on a timeless journey through humanity's collective creativity—a testament to our shared heritage waiting patiently for those who seek inspiration anew.