Instrument And Document Collection (#6)

Extremadura and Castilla la Nueva, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

The Kingdoms of Galicia, Asturies, Leon, Castilla Vieja with the Council of Biscallia, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio

Portugal, that is the provinces of Entre Douro, Minho, Traz-os-Montes and Beir, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

Extremadura of Portugal Alentejo or Algarve, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

New discoveries by the Russians to the north of the South Seas. both in Asia and in America, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by

America divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

New discoveries made in 1775, 67 and 69 in the South Seas, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

Europe divided into its main states, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1776 by Antonio Zatta

Southern Hemisphere of the Earth cut at the equator, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1779 by Antonio Zatta

World Map and a general description of the globe, reduced to a picture, engraving by G. Zuliani taken from Tome I of the "Newest Atlas" published in Venice in 1774 by Antonio Zatta

BGA-F-023805-0000
Siena Tarsia, Marquetry High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1503-1505

Statue of Galileo Galilei by Aristodemo Costoli on display in the Uffizi Square in Florence. Florence Uffizi Square Statue Nineteenth-Twenty century, 19th-20th century, Europe

Portrait of a group of scholars, in Paris France Paris. Date of Photograph:1880 ca

Bronze bas-relief with Allegory of Philosophy. Detail of the monument to Pope Sisto IV. Vatican Grottoes, Vatica City. he monument is a work by Antonio del Pollaiolo

Map of the Italian Fascist empire on a wall in Via dei Fori Imperiali, Rome Rome Via dei Fori Imperiali Low Relief, Basrelief. Date of Photograph:1940 ca.. Date of Artwork:1936

Maps that reproduce the boundaries of the ancient Roman empire. They are marble slabs located on Via dei Fori Imperiali, Rome Rome Via dei Fori Imperiali Panel Styles and Movements before 1945

Map reproducing the boundaries of the ancient Roman empire after the death of the emperor Augustus. This is one of the marble slabs located on Via dei Fori Imperiali

Portrait of Ptolemy and Boethius. Drawing by Raffaello preserved in the Galleries of the Academy, Venice Venice Galleries of the Academy Drawing High Renaissance, Renaissance

Bronze bas-relief with Allegory of Perspective. Detail of the monument to Pope Sisto IV. Vatican Grottoes, Vatica City. The entire monument is a work by Antonio del Pollaiolo

Bronze bas-relief with Allegory of Astronomy. Detail of the monument to Pope Sisto IV. Vatican Grottoes, Vatica City. The monument is a work by Antonio del Pollaiolo

Instruments used by the astronomer Gian Domenico Cassini, for determining the meridian in the Basilica of Bologna. The measurements were done in 1655

Pilot's Book of the Majorcan scientist Banet-Paredes, depicting the basin of the Mediterranean Sea, Europe and the Black Sea

Pilot's Book of a scientist from Siena, Giulio Cesare Petrucci, depicting the basin of the Mediterranean Sea, Europe and the Black Sea

Arab astrolab built by the scientist Hain-ibn-Said in 1917. The image shows the front part of the object, with tympanum, the mother and net

Telescope with parallactic mounting, used by the Emilian astronomer P. Angelo Secchi, in the study of the solar rays. The instrument is preserved in the Astronomical Observatory of Rome

Universal Astrolabe from the sixteenth century preserved in the Astronomic Observatory of Rome. The picture shows the rear part of the object where there are representations of the constellations

Large globe from the cosmographer and geographer Vincenzo Maria Coronelli from 1688. The instrument, which has a small depictions of lions at its base is preserved in the Ximeniano Observatory of

Medium telescope with sight from the astronomer and physicist Giovanni Battisti Amici preserved in the Astronomical Observatory of Arcetri

Large Florentine astrolabe with lines and mesh, on a small octagonal table dating back to the first half of the seventh century

Odometer used by the Accademia del Cimento and conserved in the Instituto e Museo di Storia della Scienza di Firenze. The photo was realeased in occasion of the Esposizione di Storia della Scienza

Room in the Querini-Stampalia Museum in Venice Venice Querini-Stampalia Museum. Date of Photograph:1962

Captain's log depicting the British Islands. The photo was taken for the occasion of the Exhibition of the History of Science from 1929, Florence. The work is preserved in Venice

Telescope from the scientist Eustachio Divini, from the XVII century, preserved in the Copernican Museum of Rome. The photo was taken for the occasion of the Exhibition of the History of Science

Universal astrolabe in the rear part that also serves as a quadrant of height, from the sixteenth century. The instrument is preserved in the Astronomic Observatory of Rome

One of the first monoculars attributed to Galileo Galilei which still exists in the Tribuna, preserved in the Instituto Mueso di Storia della Scienza in Florence

Room with cases in the center and maps on the wall. In the case in the back are different types of magnetic compasses; in the second case are an antique water clock

Compass belonging to the Admiral Jacopo Inghirami in the eighteenth century. The picture was taken during the Exhibition of Science History in 1929, in Florence

Pilot's book representing a detail of the British Islands. The picture was taken during the Exhibition of Science History in 1929, in Florence

Telescope belonged to the scientist Azzarelli dating back to the 1661. The picture was taken during the Exhibition of Science History in 1929, in Florence

Pilot?s book of the senese Giulio Cesare Petrucci representing the British Islands. The paper is dated 1571 and is preserved in the Astronomic Observatory of Bologna

Pilot's Book of the Majorcan scientist, Matteo Brunes depicting the basin of the Mediterranean Sea, Europe and the Black Sea. The paper is preserved in the Astronomic Observatory of Bologna

Pilot's Book of a scientist from Ancona, Rocco dall'Olmo depicting the basin of the Mediterranean Sea, Europe and the Black Sea

Statue of San Tommaso Rangone; sculpture attributed to Jacopo Sansovino, located in the monumento to Tommaso Rangone, Church of San Giuliano in Venice Venice Church of S

Allegory of Scienza. Statue in bronze belonging to the monument of Quintino Sella, realized by the sculptor Antonio Bortone

Plan of the city of Florence, 1865, Giuseppe Poggi, Museum of "Firenze Com'era", Florence Florence Museum of "Firenze Com'era" Print Arts and handicrafts of XIX century

Plan of the city of Florence, c. 1690, Museum of "Firenze Com'era", Florence Florence Museum of "Firenze Com'era" Print Renaissance

Plan of the city of Florence, 1783, designed by Francesco Magnelli and engraved by Cosimo Zocchi, Museum of "Firenze Com'era"

Plan of the city of Florence, 1843, print, F. Fantozzi, Museum of "Firenze Com'era", Florence Florence Museum of "Firenze Com'era" Print Arts

For sale as Licensed Images

Choose your image, Select your licence and Download the media

"Exploring the World through Instruments and Documents: A Glimpse into History" Step back in time with these captivating engravings from the private collection of Antonio Zatta. Delve into the intricate details of a world divided, as depicted by renowned cartographer G. Zuliani. Embark on a journey to Iceland, where its districts come alive before your eyes. This engraving from Tome III of the "Newest Atlas" showcases the stunning beauty and unique topography that define this Nordic island nation. Venture further north to Hudson Bay, Land of Labrador, and Greenland. As you study this engraving from Tome I, immerse yourself in the vastness of these Arctic regions and their adjacent islands - a testament to nature's grandeur. Travel southward to Southern Scotland, where counties unfold like pages in a storybook. The meticulous detail captured by Zuliani in this engraving from Tome I transports you to an era when borders were etched upon maps with precision. Cross over to Ireland's provinces of Ulster and Leinster through another remarkable engraving from Tome I. Discover their rich history and cultural heritage as you trace their boundaries on this antique map - a true collector's gem. Next, explore Lorraine, Barr, and Alsace - governances brought vividly to life by Zuliani's artistry. This enchanting depiction offers glimpses into an era when political divisions shaped landscapes and societies alike. Continue your voyage across Europe as Spain and Portugal reveal themselves through intricately engraved provincial divisions. From Andalusia to Galicia, experience the diversity that defines these kingdoms while marveling at Zuliani's craftsmanship. Journey westward towards America; its main states beckon with promises of adventure. This 1776 engraving captures not only geographical features but also historical significance - witness how nations took shape amidst untamed frontiers. Expand your horizons even further with a world map that provides a comprehensive overview of the globe.