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Victorian Gothic Collection (#11)

Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine

Background imageVictorian Gothic Collection: Studies for the Lantern in The Light of the World

Studies for the Lantern in The Light of the World
5053761 Studies for the Lantern in The Light of the World, 1851-52 ( pen & brown ink over graphite on discoloured off-white paper) by Hunt, William Holman (1827-1910); 24.5x34.6 cm; Ashmolean Museum

Background imageVictorian Gothic Collection: The Whitgift Hospital Middle Class School, Croydon, 1873 (litho)

The Whitgift Hospital Middle Class School, Croydon, 1873 (litho)
CRD381690 The Whitgift Hospital Middle Class School, Croydon, 1873 (litho) by Akerman, James (fl. 1873); 21.1x29.4 cm; Croydon Art Collection, Museum of Croydon

Background imageVictorian Gothic Collection: High Altar in neo-gothic style, surrounded by 4 angels carrying the instruments of

High Altar in neo-gothic style, surrounded by 4 angels carrying the instruments of
PER465709 High Altar in neo-gothic style, surrounded by 4 angels carrying the instruments of the Passion of Christ with a tabernacle surmounted by an elaborately decorated spire (photo)

Background imageVictorian Gothic Collection: The House of Mercy, Clewer (engraving)

The House of Mercy, Clewer (engraving)
XJF396637 The House of Mercy, Clewer (engraving) by English School, (19th century); Private Collection; (add.info.: designed by Henry Woodyer (1816-96)

Background imageVictorian Gothic Collection: George III, c. 1873 (stained glass)

George III, c. 1873 (stained glass)
LLW402809 George III, c.1873 (stained glass) by English School, (19th century); Parliament Buildings, Bridgetown, Barbados; (add.info)

Background imageVictorian Gothic Collection: Ms. New Coll 380, f9r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f9r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833761 Ms. New Coll 380, f9r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f42r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f42r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833751 Ms. New Coll 380, f42r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f39r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f39r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833748 Ms. New Coll 380, f39r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: Ms. New Coll 380, f38r. The antiquities of the Cathedral Church of Saint Mary, Carlisle

Ms. New Coll 380, f38r. The antiquities of the Cathedral Church of Saint Mary, Carlisle
833747 Ms. New Coll 380, f38r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Background imageVictorian Gothic Collection: The Antiquarian, 1863 (w / c, gouache & gum Arabic on paper)

The Antiquarian, 1863 (w / c, gouache & gum Arabic on paper)
863155 The Antiquarian, 1863 (w/c, gouache & gum Arabic on paper) by Cattermole, Charles (1832-1900); 14x19.1 cm; Private Collection; Abbott and Holder, London, UK; English, out of copyright

Background imageVictorian Gothic Collection: Oscarshal Smoking Pavilion, 1852 (colour litho)

Oscarshal Smoking Pavilion, 1852 (colour litho)
699656 Oscarshal Smoking Pavilion, 1852 (colour litho) by Frich, Joachim (1810-58); Private Collection; (add.info.: smoking pavilion at Oscarshal summer palace)

Background imageVictorian Gothic Collection: Oscarshal title page, 1852 (colour litho)

Oscarshal title page, 1852 (colour litho)
699649 Oscarshal title page, 1852 (colour litho) by Norwegian School, (19th century); Private Collection; (add.info.: Decorative title page from book depicting Oscarshal summer palace)

Background imageVictorian Gothic Collection: Plate of design for carpets, from Industrial Arts of the Nineteenth Century

Plate of design for carpets, from Industrial Arts of the Nineteenth Century
STC156093 Plate of design for carpets, from Industrial Arts of the Nineteenth Century, by Matthew Digby Wyatt (colour litho) by Pugin

Background imageVictorian Gothic Collection: The Library, Windsor Castle, 1838 (colour litho)

The Library, Windsor Castle, 1838 (colour litho)
STC156086 The Library, Windsor Castle, 1838 (colour litho) by Pyne, James Baker (1800-70); Private Collection; (add.info.: built by Sir Jeffry Wyatville; ); The Stapleton Collection; English

Background imageVictorian Gothic Collection: Diamond print ecclesiastical wallpaper design

Diamond print ecclesiastical wallpaper design
STC156097 Diamond print ecclesiastical wallpaper design by Pugin, Augustus Welby (1812-52); Private Collection; The Stapleton Collection; English, out of copyright

Background imageVictorian Gothic Collection: The Great Western Hall leading to the Grand Saloon or Octagon, Fonthill Abbey

The Great Western Hall leading to the Grand Saloon or Octagon, Fonthill Abbey
STC156070 The Great Western Hall leading to the Grand Saloon or Octagon, Fonthill Abbey, engraved by C.J. Varrall, 1823 (engraving) by Cattermole

Background imageVictorian Gothic Collection: North-west view of Fonthill Abbey (w / c on paper)

North-west view of Fonthill Abbey (w / c on paper)
STC156068 North-west view of Fonthill Abbey (w/c on paper) by Wild, Charles (1781-1835); Private Collection; (add.info.: built by James Wyatt in 1795; home of William Beckford (1760-1844);

Background imageVictorian Gothic Collection: Medieval panel designs from The Practical Decorator and Ornamentalist

Medieval panel designs from The Practical Decorator and Ornamentalist
STC156442 Medieval panel designs from The Practical Decorator and Ornamentalist, by George Ashdown Audsley, 1892 (colour litho) by Audsley, G.A. and M.A

Background imageVictorian Gothic Collection: Medieval style designs for ceiling bosses, from The Practical Decorator

Medieval style designs for ceiling bosses, from The Practical Decorator
STC156441 Medieval style designs for ceiling bosses, from The Practical Decorator and Ornamentalist, by George Ashdown Audsley, 1892 (colour litho) by Audsley, G.A. and M.A

Background imageVictorian Gothic Collection: 13th century tile designs, illustration from Specimens of Tile Pavements

13th century tile designs, illustration from Specimens of Tile Pavements
STC156440 13th century tile designs, illustration from Specimens of Tile Pavements, Drawn from Existing Authorities, by Henry Shaw, 1858 (colour litho) by English School

Background imageVictorian Gothic Collection: Floral design for the House of Lords Library (pencil & w / c on paper)

Floral design for the House of Lords Library (pencil & w / c on paper)
BBC207319 Floral design for the House of Lords Library (pencil & w/c on paper) by Pugin, Augustus Welby Northmore (1812-52); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageVictorian Gothic Collection: University of Pennsylvania, Philadelphia, c. 1900 (b / w photo)

University of Pennsylvania, Philadelphia, c. 1900 (b / w photo)
XIR213180 University of Pennsylvania, Philadelphia, c.1900 (b/w photo) by American Photographer, (20th century); Private Collection; (add.info.: founded in 1749 by Benjamin Franklin; ); American

Background imageVictorian Gothic Collection: View of St. Patricks Cathedral from the Rockefeller Center (photo)

View of St. Patricks Cathedral from the Rockefeller Center (photo)
XBP234863 View of St. Patricks Cathedral from the Rockefeller Center (photo) by Renwick, James (1818-95); New York City, New York

Background imageVictorian Gothic Collection: View of the Chapel in the Garden at Strawberry Hill, engraved by Godfrey

View of the Chapel in the Garden at Strawberry Hill, engraved by Godfrey
STC172317 View of the Chapel in the Garden at Strawberry Hill, engraved by Godfrey, 1784 (engraving) by Pars, William (1742-82) (after); Private Collection; (add.info)

Background imageVictorian Gothic Collection: Tower design, from a folder of New Palace of Westminster drawings

Tower design, from a folder of New Palace of Westminster drawings
BBC186455 Tower design, from a folder of New Palace of Westminster drawings (pen & ink wash on paper) by Barry, Charles (1795-1860); Private Collection; English, out of copyright

Background imageVictorian Gothic Collection: The Second Order of Gothic Architecture, 1741 (litho) (b / w photo)

The Second Order of Gothic Architecture, 1741 (litho) (b / w photo)
XJF275050 The Second Order of Gothic Architecture, 1741 (litho) (b/w photo) by English School, (18th century); Private Collection; English, out of copyright

Background imageVictorian Gothic Collection: Victorian sewing box panel decorated with an oval cameo of St

Victorian sewing box panel decorated with an oval cameo of St
NCO256318 Victorian sewing box panel decorated with an oval cameo of St. Johns College gardens, Oxford (papier mache) by Jennens, L. (fl.1830-97) and Bettridge, H

Background imageVictorian Gothic Collection: The Challenge, 1841 (pencil, w / c and bodycolour on paper)

The Challenge, 1841 (pencil, w / c and bodycolour on paper)
AJV341205 The Challenge, 1841 (pencil, w/c and bodycolour on paper) by Nixon, James Henry (1802-57); 37x52 cm; Private Collection; (add.info)

Background imageVictorian Gothic Collection: General View of the Lists (pencil, w / c and bodycolour on paper)

General View of the Lists (pencil, w / c and bodycolour on paper)
AJV341204 General View of the Lists (pencil, w/c and bodycolour on paper) by Nixon, James Henry (1802-57); 32x48.5 cm; Private Collection; (add.info)

Background imageVictorian Gothic Collection: Archibald William Montgomerie, Earl of Eglinton, Lord of the Tournament (pencil

Archibald William Montgomerie, Earl of Eglinton, Lord of the Tournament (pencil
AJV341202 Archibald William Montgomerie, Earl of Eglinton, Lord of the Tournament (pencil, w/c and bodycolour on paper) by Nixon

Background imageVictorian Gothic Collection: Confessional Window in the Lady Chapel, 1849 (stained glass)

Confessional Window in the Lady Chapel, 1849 (stained glass)
3475352 Confessional Window in the Lady Chapel, 1849 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); St Augustines Abbey, Ramsgate, Kent

Background imageVictorian Gothic Collection: Dining Room Window, 1844 (stained glass)

Dining Room Window, 1844 (stained glass)
3475349 Dining Room Window, 1844 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); The Grange, Ramsgate, Kent, UK; (add.info.: Manufactured by William Wailes (1808-81)

Background imageVictorian Gothic Collection: Pugins second son Cuthbert, Chapel window, c. 1844 (stained glass)

Pugins second son Cuthbert, Chapel window, c. 1844 (stained glass)
3475347 Pugins second son Cuthbert, Chapel window, c.1844 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); The Grange, Ramsgate, Kent

Background imageVictorian Gothic Collection: Pugins second wife Louisa with her stepdaughter Anne

Pugins second wife Louisa with her stepdaughter Anne
3475343 Pugins second wife Louisa with her stepdaughter Anne and her two daughters Agnes & Katherine, Chapel East Window, c.1844 (stained glass) by Pugin

Background imageVictorian Gothic Collection: Library Window, c. 1844 (stained glass)

Library Window, c. 1844 (stained glass)
3475336 Library Window, c.1844 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); The Grange, Ramsgate, Kent, UK; (add.info.: Manufactured by William Wailes (1808-81)

Background imageVictorian Gothic Collection: Jesse Tree, 1849 (stained glass)

Jesse Tree, 1849 (stained glass)
3475326 Jesse Tree, 1849 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Church of St. Paul, Brighton, East Sussex

Background imageVictorian Gothic Collection: Seven Corporal Acts Of Mercy, c. 1845 (stained glass)

Seven Corporal Acts Of Mercy, c. 1845 (stained glass)
3475317 Seven Corporal Acts Of Mercy, c.1845 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); St Giles Catholic Church, Cheadle, Staffordshire

Background imageVictorian Gothic Collection: North Wall Window, 1841 (stained glass)

North Wall Window, 1841 (stained glass)
3475313 North Wall Window, 1841 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Church of St. John the Baptist, Alton, Staffordshire

Background imageVictorian Gothic Collection: St. Alban, detail, c. 1841 (stained glass)

St. Alban, detail, c. 1841 (stained glass)
3475307 St. Alban, detail, c.1841 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); St Albans Church, Macclesfield, Cheshire

Background imageVictorian Gothic Collection: St. Alban, c. 1841 (stained glass)

St. Alban, c. 1841 (stained glass)
3475306 St. Alban, c.1841 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); St Albans Church, Macclesfield, Cheshire

Background imageVictorian Gothic Collection: Mysteries of the Rosary, East Window of the Chapel, detail, 1847 (stained glass)

Mysteries of the Rosary, East Window of the Chapel, detail, 1847 (stained glass)
3475298 Mysteries of the Rosary, East Window of the Chapel, detail, 1847 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Convent of Our Lady of Mercy, Nottingham

Background imageVictorian Gothic Collection: Mysteries of the Rosary, East Window of the Chapel, 1847 (stained glass)

Mysteries of the Rosary, East Window of the Chapel, 1847 (stained glass)
3475297 Mysteries of the Rosary, East Window of the Chapel, 1847 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Convent of Our Lady of Mercy, Nottingham

Background imageVictorian Gothic Collection: St. Peter, St. James the Great, and St. John the Evangelist, 1851 (stained glass)

St. Peter, St. James the Great, and St. John the Evangelist, 1851 (stained glass)
3475291 St. Peter, St. James the Great, and St. John the Evangelist, 1851 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); St Andrews Church, Farnham, Surrey

Background imageVictorian Gothic Collection: Coronation of the Virgin, detail, 1851 (stained glass)

Coronation of the Virgin, detail, 1851 (stained glass)
3475284 Coronation of the Virgin, detail, 1851 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Our Immaculate Lady of Victories, Clapham, London

Background imageVictorian Gothic Collection: Coronation of the Virgin, 1851 (stained glass)

Coronation of the Virgin, 1851 (stained glass)
3475283 Coronation of the Virgin, 1851 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Our Immaculate Lady of Victories, Clapham, London

Background imageVictorian Gothic Collection: Scenes From The Life Of Christ, East Window, 1853 (stained glass)

Scenes From The Life Of Christ, East Window, 1853 (stained glass)
3475276 Scenes From The Life Of Christ, East Window, 1853 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Jesus College Chapel, Cambridge

Background imageVictorian Gothic Collection: Apostles, 1837 (stained glass)

Apostles, 1837 (stained glass)
3475262 Apostles, 1837 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); St Marys College, New Oscott, Birmingham

Background imageVictorian Gothic Collection: Life of William of York, 1848 (stained glass)

Life of William of York, 1848 (stained glass)
3475260 Life of William of York, 1848 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); St Edward King and Confessor Catholic Church, Clifford, Yorkshire




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Step into the enchanting world of Victorian Gothic, where grandeur and mystery intertwine. The Opening of Keble College, Oxford, from The Illustrated London News captures the awe-inspiring architecture that defined this era. St. Peters Church and house on Village Green, Edensor, Chatsworth Estate transport us to a picturesque countryside adorned with intricate carvings and ornate details. Architectural drawing: west front inner gatehouse by AWN Pugin showcases his iconic style that epitomized the Victorian Gothic movement. His influence extends to Design for stained glass in Lyndhurst Church: An Angel Harpist, where ethereal beauty is captured within colorful panes. The Decoration of the Drawing Room at Eastnor Castle transports us to a lavish interior filled with opulent furnishings and elaborate patterns. Meanwhile, St Finbars Cathedral stands tall as a testament to the grand scale on which these structures were built. In Dulwich College's Great Hall, we witness an imposing space adorned with towering arches and intricate woodwork - a true masterpiece of craftsmanship. The British Navy artwork takes us on a journey through time, showcasing naval prowess during this period. Nelson's Tower in Forres invites us to explore its hauntingly beautiful structure rising against the sky - an emblematic symbol architecture. Lady Clare captivates our imagination with her delicate pen strokes bringing forth an air of elegance and grace. St Jacob's stained glass window transports us back in time as we marvel at its vibrant colors illuminating sacred spaces. Knebworth House beckons visitors with its majestic presence nestled amidst Hertfordshire's rolling hills – a true gem from this era. Immerse yourself in the allure of Victorian Gothic; let it transport you to another world where artistry meets darkness.