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The Actors Iwai Hanshiro IV (right), Ichikawa Monnosuke II (center), and Sakata... c. 1786. Creator: Katsukawa Shunko
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The Actors Iwai Hanshiro IV (right), Ichikawa Monnosuke II (center), and Sakata... c. 1786. Creator: Katsukawa Shunko
The Actors Iwai Hanshiro IV (right), Ichikawa Monnosuke II (center), and Sakata Hangoro III (left), Possibly as Manazuru the Wife of Tametomo, Hojo Saburo Munetoki, and Kawanaya Tashiro, in the Joruri "Iwai-zuki Neya no Obitoki" (Inauspicious Months: Loosening the Sash in the Bedchamber), from Part Two of the Play Mutsu no Hana Izu no Hataage (Snowflakes: Raising the Standard at Izu), Performed at the Kiri Theater from the First Day of the Eleventh Month, 1786, c. 1786
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Media ID 24171385
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Aquatic Life Cross Dressing Dressed Up Fish Fishes Four People Hangoro Sakata Hanshiro Iwai Hosoban Ichikawa Benzo I Ichikawa Monnosuke Ichikawa Monnosuke Ii Ishikawa Monosuke Ii Iwai Hanshiro Iwai Hanshiro Iv Joruri Kabuki Kabuki Actor Katsukawa Shunko Katsukawa Shunko I Kiri Theatre Kiyokawa Denjiro Kotsubo Monnosuke Ichikawa Monosuke Ishikawa Parasol Parasols Puppet Theatre Sakata Hangoro Iii Shunko Katsukawa Takinaka Hidematsu Ii Takinaka Tsuruzo Wife Wives Accessories Accessory Black Colour Block Printing Color Woodblock Print Infancy Kimono Oban Playhouse Thespian Tokugawa Period Traditional Dress Woodblock Woodblock Printing
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This print by Katsukawa Shunko captures a moment of theatrical brilliance in 18th century Japan. The image features three renowned actors, Iwai Hanshiro IV, Ichikawa Monnosuke II, and Sakata Hangoro III, possibly portraying characters from the Joruri play "Iwai-zuki Neya no Obitoki" during a performance at the Kiri Theater in November 1786. Dressed in elaborate costumes that reflect the vibrant colors and intricate designs of Edo period fashion, these talented performers embody their respective roles with great intensity. The central figure, Ichikawa Monnosuke II, stands out with his commanding presence and expressive gestures. On his right is Iwai Hanshiro IV, exuding elegance and grace as he portrays a character named Manazuru the Wife of Tametomo. To the left is Sakata Hangoro III who embodies Hojo Saburo Munetoki or possibly Kawanaya Tashiro. The woodblock print technique used by Shunko adds depth to this composition while capturing every detail with precision. From the delicate patterns on their clothing to the lifelike depiction of fish swimming beneath them symbolizing aquatic life's connection to theater arts - it all comes together harmoniously. This artwork not only showcases exceptional acting skills but also highlights Japan's rich cultural heritage through kabuki theater. It serves as a testament to the enduring popularity and significance of traditional performing arts even centuries later. As we gaze upon this mesmerizing print today at an art gallery like Art Institute Chicago or any other art center around Asia or beyond its continent boundaries; we are transported back in time to witness an extraordinary moment in Japanese history.
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