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Metal Print : Jain cosmological map, 19th century

Jain cosmological map, 19th century



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Jain cosmological map, 19th century

Jain cosmological map, 19th century. Titled Manusyaloka ( map of the world of man ), this artwork shows the world according to the cosmological traditions of Jainism, an ancient religion of India. Human couples are seen in pavilions at different levels, with rivers and world-girdling oceans (blue rings) separating them. The central continent (Jambudvipa, the island of the rose apple tree) has rivers and six mighty mountains (rows with triangles), with Mount Meru at centre (yellow circle). This artwork, from western Rajasthan, India, is gouache (a type of paint) on cloth, and dates from the 1890s

Science Photo Library features Science and Medical images including photos and illustrations

Media ID 6298221

© LIBRARY OF CONGRESS, GEOGRAPHY AND MAP DIVISION/SCIENCE PHOTO LIBRARY

1890s Ancient Antiquity Circle Circular Cloth Cosmological Cosmology Eastern Globe India Indian King Mountain Mountains Oriental Philosophy Queen Rajasthan Religion Religious River Rivers Round Ruler Symbol Symbolic Symbols Tent Tents Traditional World Gouache Meru Mount Meru Pavilion Pavilions Pavillion Rules


20"x24" (61x51cm) Metal Print

Discover the rich cultural heritage of Jainism with our stunning Metal Prints featuring the Manusyaloka, a 19th century Jain cosmological map from Science Photo Library. This intricately detailed artwork depicts the world according to ancient Jain cosmological traditions, transporting you to the heart of Indian spirituality. Our high-quality Metal Prints bring the vibrant colors and textures of this historical masterpiece to life, making it a beautiful addition to any home or office space. Order now and let the wisdom of Jainism inspire you every day.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 60.9cm x 50.8cm (24" x 20")

Estimated Product Size is 61.5cm x 51.4cm (24.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > Related Images

> Animals > Mammals > Muridae > Western Mouse

> Arts > Artists > O > Oceanic Oceanic

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Asia > India > Maps

> Asia > India > Related Images

> Asia > Related Images

> Historic > Cultural festivals and traditions

> Maps and Charts > Early Maps

> Maps and Charts > India


EDITORS COMMENTS
This 19th-century Jain cosmological map, titled Manusyaloka, offers a glimpse into the intricate world of Jainism, an ancient religion originating in India. Painted with meticulous detail on cloth using gouache paint, this artwork showcases the cosmological traditions and beliefs held by Jains during that era. At first glance, one is immediately drawn to the central continent known as Jambudvipa or "the island of the rose apple tree". This landmass is adorned with rivers and six majestic mountains, prominently featuring Mount Meru at its center. Surrounding this central realm are pavilions occupied by human couples positioned at various levels. These pavilions symbolize different stages of existence within the Jain worldview. The blue rings encircling these pavilions represent vast oceans that separate each level. The presence of rivers flowing through Jambudvipa adds further depth to this intricate illustration. Every element in this artwork holds symbolic significance within Jain philosophy and serves as a visual representation of their understanding of the universe. Originating from western Rajasthan in India, this historical piece provides us with valuable insights into ancient Indian religious practices and beliefs. Its circular composition reflects an Eastern artistic tradition while incorporating elements such as fish motifs and traditional symbols associated with Asian cultures. As we explore this mesmerizing artwork from the 1890s, we are transported back in time to witness how people perceived their place in the cosmos centuries ago—a testament to humanity's enduring fascination with our world's mysteries and our relentless pursuit for spiritual enlightenment.

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